"I'm Supposed to Relate to This?": A Trans Woman on Issues of Identification with Trans Moving Images
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Date
2015
Authors
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Publisher
Université d'Ottawa / University of Ottawa
Abstract
This thesis challenges common assumptions of trans moving images by applying theories of identification to an autoethnographic close reading of three specific texts – Hedwig and The Angry Inch (John Cameron Mitchell, 2001), Dallas Buyers Club (Jean- Marc Vallée, 2013) and Transparent (Jill Soloway, 2014) - considered by both mainstream and queer audiences to feature transgender characters and experiences. This thesis, while limited to the author’s experience as a trans woman, attempts to advance the argument that identification with trans moving images may change with one’s transition and require a reassessing of “what is trans” along with resituating the trans spectator from “object of the gaze” to “bearer of the look” (Mulvey, 1975).
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Keywords
Trangender, Trans, Film, Pop culture, Autoethnography, Identification, Representation, Moving images