Tosca A. C. Lynch and Eleonora Rocconi, A Companion to Ancient Greek and Roman Music

Authors

  • Gabrièle Wersinger-Taylor CNRS

DOI:

https://doi.org/10.33137/aestimatio.v2i2.39097

Keywords:

Harmonics, Notation, Sound, Rhythms, Pulse, Heptachord

Abstract

Without doubt, this book will be very useful to postdoctoral students and researchers needing an overview of ancient Greek and Roman music. Within a rich thematic division, it offers a number of stimulating and accurate details about nearly all aspects of ancient music in a successful interplay of many approaches that will allow readers to gain an inclusive understanding of ancient μουσική.

Reviewed by: G. Wersinger-Taylor,

Published Online (2022-07-31)
Copyright © 2022 by G. Wersinger-Taylor
Article PDF Link: https://jps.library.utoronto.ca/index.php/aestimatio/article/view/39097/29784

Corresponding Author: G. Wersinger-Taylor,
CNRS
E-Mail: wersinger@vjf.cnrs.fr

Author Biography

Gabrièle Wersinger-Taylor, CNRS

Gabrièle Wersinger Taylor is Professor in Ancient Philosophy (Paris Sorbonne University and Reims) and associate member of the Jean Pépin Center (Paris CNRSENS ULM). Besides contributions on Derrida and contemporary thought, her work deals essentially with Plato, Homer, and Presocratic thinkers, especially the musical paradigm in ancient thought. See her recent “Philosophie et rituel. La phono ritualité dans la philosophie ancienne” in Revue de métaphysique et de morale (2019) 103: 171–178.

References

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HolfordStrevens, L. 1993. “The Harmonious Pulse”. Classical Quarterly 43: 475–479.

Lynch, T. A. C. 2018. “‘Without Timotheus, Much of Our Melopoiía Would Not Exist; but without Phrynis, There Wouldn’t Have Been Timotheus’: Pherecrates’ Twelve Strings, the Stróbilos and the Harmonic Paranomía of the New Music”. Greek and Roman Musical Studies 6.2: 290–327.

Melazzo, L. 2014. “Music and Phonetics in Magna Graeca”. Pp. 207–217 in A. Bellia ed. Musica, culti e riti nell’occidente greco. Pisa/Rome.

Psaroudakes, S. 2012. “The Hellenistic Side Flute and the KoilēAthens Instrument”. Pp. 521–536 in D. Castaldo, F. G. Giannachi, and A. Manieri edd. Poesia, musica e agoni nella Grecia antica. Atti del 4. convegno internazionale di MOISA: Lecce, 28–30 ottobre 2010. Galatina, Italy.

Siraisi, N. G. 1975. “The Music of Pulse in the Writings of Italian Academic Physicians (Fourteenth and Fifteenth Centuries)”. Speculum 50: 689–710.

Lynch, T. A. C. and E. Rocconi. 2020. A Companion to Ancient Greek and Roman Music. Hoboken.

Wersinger, A. G. 2008. La sphère et l’intervalle. Le schème de l’harmonie dans la pensée des anciens Grecs d’Homère à Platon. 2nd edn. Grenoble.

West, M. L. 1992. Ancient Greek Music. Oxford.

Published

31-07-2022

How to Cite

Wersinger-Taylor, G. (2022). Tosca A. C. Lynch and Eleonora Rocconi, A Companion to Ancient Greek and Roman Music. Aestimatio: Sources and Studies in the History of Science, 2(2), 167–185. https://doi.org/10.33137/aestimatio.v2i2.39097