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Exploring the Ubiquitous through the Unusual: Color Symbolism in Pueblo Black-on-White Pottery

Published online by Cambridge University Press:  20 January 2017

Stephen Plog
Stephen Plog*
Affiliation:
Department of Anthropology, P.O. 400120, University of Virginia, Charlottesville, VA 22904, plog@virginia.edu
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Abstract

One of the common design characteristics on black-on-white pottery from the eleventh and twelfth centuries in the northern American Southwest is the use of thin, parallel lines (hachure) to fill the interior of bands, triangles, or other forms. This essay explores a proposal offered by Jerry Brody that hachure was a symbol for the color blue-green. Brody's proposal is examined by exploring colors and color patterns used to decorate nonceramic material from the Chaco Canyon region of northwestern New Mexico. His proposal is supported and the implications of this conclusion for Chaco Canyon and for future studies of this nature are discussed.

Résumé

Résumé

Una de las características comunes de los diseños de la cerámica negro-sobre-blanco de los siglos once y doce proveniente de la región suroccidental de los Estados Unidos es el uso de lineas delgadas y paralelas (“hachure”) para rellenar tiras, triángulos u otras formas. Este ensayo explora una propuesta ofrecida por Jerry Brody quien sugiere que “hachure” era un símbolo representante del color azul-verde. La propuesta de Brody es examinada por medio del análisis de colores y patrones de colores usados para decorar materiales que no son de cerámica y que provienen de la región de Chaco Canyon en la zona noroccidental de New Mexico. Su propuesta es válida y las implicaciones de esta conclusión para la región Chaco Canyon, como también para futuros estudios de esta índole, son tratados aquí.

Type
Articles
Information
American Antiquity , Volume 68 , Issue 4 , October 2003 , pp. 665 - 695
Copyright
Copyright © The Society for American Archaeology 2003

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