BibTex RIS Kaynak Göster
Yıl 2016, Cilt: 15 Sayı: 59, 0 - 0, 15.10.2016
https://doi.org/10.17755/esosder.263241

Öz

Kaynakça

  • Bains, Sunny. (2001, May 01). “Holography”, SPIE’s International Technical Group Newsletter, Vol. 12, No. 2, pp. 1-12, http://www.fac-media.com/spie/Holography12-1.pdf
  • Benyon, Margaret. The Benyon Archive, http://www.mbenyon.com
  • Benyon, Margaret. (1992). “Do We Need an Aesthetics of Holography?”, Leonardo, Vol. 25, No. 5, Archives of Holography: A Partial View of a Three-Dimensional World: Special Issue, pp. 411-416, Published by The MIT Press.
  • Benyon, Margaret. (1989). "Cosmetic Series" 1985-1987: A Personal Account”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 307-312, Published by The MIT Press.
  • Boissonnet, Philippe. (2014). https://www.flickr.com/photos/uqtart/
  • Boissonnet, Philippe. (1989). “Holography and the Imaginary Double: The Image of Body”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 375-378, Published by The MIT Press.
  • Casdin-Silver, Harriet. (1989). “My First 10 Years as Artist/Holographer (1968-1977)”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue (1989), pp. 317-326, Published by: The MIT Press, Stable URL: http://www.jstor.org/stable/1575386
  • Coyle, Rebecca, Phillip Hayward. (1995). “Margaret Benyon: The Founding of Holographic Art”, Holographic Art in Australia, Chapter 2, University of Sydney, Power Publications, Australia.
  • Cross, Lloyd G., Cecil Cross. (1992). “HoloStories: Reminiscences and a Prognostication on Holography”, Leonardo, MIT Press.
  • Dawson, Paula. (2011). “The Visual Language of Holograms”, Advanced Holography - Metrology and Imaging, Editor Dr Izabela Naydenova, ISBN: 978-953-307-729-1, InTech, pp. 329-356.
  • Dawson, Paula. (2008). “Holographic Chiaroscuro: Figures in Virtual and Pseudoscopic Space”, Leonardo, 4103, pp.301-309.ps - 5/6/2008
  • Desbiens, Jacques. (2006, July). Nomadic Perspectives: Spatial Representation in Oriental Scroll Painting and Holographic Panoramagrams”, www.i-jacques.com
  • Dyens, Georges. “Land Art Artworks”, http://www.georgesdyens.com/en/o_liste_thematique.php?theme=artpaysager&type=mat
  • Dyens, Georges. (1989). “Holosculptures Holography and Sculpture, Spirit and Matter”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 383-388, Published by: The MIT Press.
  • Fabbri, Ferruccio. (2014, 12 June). Fabbri wrote me this information with e-mail. From laserato@gmail.com to vldnsk@gmail.com
  • Gamble, Susan & Michael Wenyon. (1995). “Bibliography (1991/1992)”, Volumes: Holograms of Books, Leonardo, Vol. 28, No. 4, pp. 331-332, Published by The MIT Press.
  • Grezsik, Becky. (2013, Feb 04). “Harriet Casden-Silver: Beauty & the Political Body”, http://mainearthappenings.blogspot.com.tr/
  • Hecht, Jeff. (2012, July 01). “Photonic Frontiers: Digital Holography: Digital Techniques Render Real-Time Response İn Holography”, http://www.laserfocusworld.com/articles/print/volume-48/issue007/features/digital-techniques-render-real-time-response-in-holography.html
  • Ishii, Setsuko. (2012). “Artistic Representation with Pulsed Holography”, 9th International Symposium on Display Holography (ISDH2012) IOP Publishing, Journal ofPhysics: Conference Series 415 (2013) 012001.
  • Ishii, Setsuko. (2009). “Installation with Sunlight and Holography - As Environmental Art”, International Symposium on Display Holography-ISDH, symposium speech video upload by rivervalleytv, 2012, http://www.youtube.com/watch?v=wBtqtoF_b_8
  • Ishii, Setsuko. (2006). “Artistic Representation with Holography”, Forma, 21, 81–92, http://www.scipress.org/journals/forma/pdf/2101/21010081.pdf
  • Işık, Vildan. (2014-a). “Classification of Holograms and Types of Hologram Used in Holographic Art”, International Conference on Communication, Media, Technology and Design - ICCMTD, 24-26 April, Istanbul, Turkey, pp. 35-41.
  • Işık, Vildan. (2014-b). “Types of Hologram Used in Holographic Art”, Electronic Journal of Social Sciences, ISSN:1304-0278, Spring, V.13, Issue: 49, pp. 366-385,
  • Işık, Vildan. (2013). “Holographic Art”, Electronic Journal of Social Sciences, ISSN:1304-0278, Autumn, V. 12, Issue: 47, pp. 212-231.
  • Işık, Vildan. (2012). Holography as a Medium of Artistic Expression, Arts Proficiency Thesis, Gazi University, Ankara, Turkey.
  • Jeong, Thung H. (2010). “Basic Principles and Applications of Holography”, https://spie.org/Documents/Publications/00%20STEP%20Module%2010.pdf
  • Jeong, Alec, T. H. Jeong. (2005). “How to Make Transmission Holograms”, Integraf L.L.C Holographic Film & Supplies, http://www.integraf.com/a-make_transmission_hologram.htm
  • Johnston, Sean F. (2004). Holograms: A Cultural History, Oxford University Press.
  • Jung, Dieter. (2012). “Moments of Seeing”, 9th International Symposium on Display Holography (ISDH 2012) IOP Publishing, Journal of Physics: Conference Series 415 (2013) 012081.
  • Jung, Dieter. (1989). “Holographic Space: A Historical View and Some Personal Experiences”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 331-336, Published by The MIT Press.
  • Kac, Eduardo. (1996). “Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960s”, Edited by K. David Jackson, Eric Vos, and Johanna Drucker, Amsterdam; Atlanta: Rodopi, pp. 247-257.
  • Kac, Eduardo. (1993). “Holopoetry, Hypertext, Hyperpoetry”, Holographic Imaging and Materials (Proc. SPIE 2043), Tung H. Jeong, Editor (Bellingham, WA: SPIE, 1993), pp. 72-81.
  • Kac, Eduardo, Ormeo Botelho. (1989). “Holopoetry and Fractal Holopoetry: Digital Holography as an Art Medium”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 397-402, Published by: The MIT Press.
  • Kočíb, Zdeněk. (2000). “Luminograms: Apperent Movement in Two-Dimensional Images”, Leonardo, The MIT Press, S. 33, s. 107-110.
  • Kostelanetz, Richard. (1980). “My Artwork Entitled 'On Holography'”, Leonardo, Vol. 13, pp. 40-41, Pergamon Press.
  • K-soul. (2014-a). Esquisse d'une science de l'art, Fondement théorique de l'art holocinétique et du Jardin Cosmique, 1ère édition © K-soul - Avril 2014.http://www.jardincosmique.com/pdf/Esquisse_K-soul_Livre-101.pdf
  • K-soul. (2014-b). “Holokinetism – Reflection on the Digital Art”, Cosmic Garden Laboratory, http://www.jardincosmique.com/Publications-001-S.htm
  • Kurzen, Aaron. (1983). “Holographic Stereograms in Assemblage”,Leonardo, Vol. 16, No. 1 (Winter, 1983), pp. 10-14, Published by: The MIT Press.
  • Mueller, R.K., N. K. Sheridon. (1966). “Sound Holograms and Optical Reconstruction”, http://scitation.aip.org/content/aip/journal/apl/9/9/10.1063/1.1754771
  • Mulhem, Dominique. (2014). “Holopeinture – Holopainting”, https://www.facebook.com/mulhem?fref=ts
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  • Razutis, Al. (2012). “Holographic Art by John Kaufman - 2D video by Al Razutis”, XAR3D's channel, https://www.youtube.com/watch?v=irlBm3Msfro&feature=youtu.be
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  • Silberman, Rick. (2006, Oct. 23). “Conceptual Artist Rick Silberman Combines Magical Illusion, Theater and Science to Create Breakthrough Hologram - Holographic Art Transforms Traditional 'Cups & Balls' Magic Illusion”, http://www.prnewswire.com/news-releases/conceptual-artist-rick-silberman-combines-magical-illusion-theater-and-science-to-create-breakthrough-hologram-56594077.html
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HOLOGRAPHIC ART JARGON

Yıl 2016, Cilt: 15 Sayı: 59, 0 - 0, 15.10.2016
https://doi.org/10.17755/esosder.263241

Öz

From the end of the 1960s to the present day, artists have been using different types of holograms as a means of artistic expression. In that process, artists have been using not only the holography jargon obtained by scientiests, but also a new jargon created by themselves. In this study; the jargon constituted by artists are examined with samples. A table is also formed to see the jargon created by scientists and used by artists.

To understand and to give meaning to holographic art we should know the holographic art jargon created or used by artists. Constituted holographic art jargon is usually obtained with hybrid words. Generally, the word 'holo' is combined with other word by artists to constitute a new word such as holomontage, holosuret, holopainting, holopeinture, holosculpture, holomobile, holokinetism, holokinetic painting, holokinetic sculpture, holopoem, computer holopoem, digital holopoem, optical holopoem, fractal holopoetry, holophotogram and holodrawing. In addition, hologram portrait, pulse hologram portrait, composite hologram, holographic shadowgram, non-hologram, luminograms, pictorialist holography, holographic poem, pseudoreflection hologram, holographic interferogram, holographic hybrid, holographic installation and environmental holography is coined or used by artists to describe holographic artistic works. Holography is an interdisciplinary technique, which is still being developed. Therefore, it is possible to say these words will increase and the time will show us which of them will be used or not used in the future. 

HOLOGRAFİK SANAT JARGONU

Öz

1960’ların sonundan günümüze, sanatçılar farklı hologram çeşitlerini bir sanatsal ifade biçimi olarak kullanmaktadır. Bu süreçte, sanatçılar, sadece bilimciler tarafından elde edilen jargonu değil, aynı zamanda kendilerinin oluşturduğu yeni bir jargonu da kullanmaktadır. Bu çalışmada; sanatçılar tarafından oluşturulan bu jargon örnekleri ile birlikte açıklanmıştır. Ayrıca bilimciler tarafından oluşturulan ve sanatçıların kullandığı jargonu anlamak için bir tablo hazırlanmıştır.

Holografik sanatı anlamak ve anlamlandırmak için sanatçılar tarafından oluşturulan veya kullanılan holografik sanat jargonunu bilmemiz gerekmektedir. Oluşturulan sanat jargonu genellikle melez sözcükler içermektedir. Çoğunlukla ‘holo’kelimesi, sanatçılar tarafından yeni bir sözcük türetmek için başka bir sözcükle birleştirilmektedir; holomontaj, holosuret, holoresim, holoheykel, holomobil, holokinetizm, holokinetik resim, holokinetik heykel, holoşiir, bilgisayar holoşiiri, dijital holoşiir, optikal holoşiir, fraktal holoşiir, holofotogram ve holoçizim gibi. Buna ek olarak, hologram portre, atımlı hologram portre, bileşik hologram, holografik gölgekayıt, hologram olmayan, luminograms, resimsel holografi, holografik şiir, sahteyansıma hologram, holografik interferogram, holografik hibrid, holografik yerleştirme ve çevresel holografi holografik sanatsal çalışmalarını tanımlamak için sanatçılar tarafından oluşturulmuş veya kullanılmıştır. Holografi, halen geliştirilmeye devam edilen disiplinlerarası bir tekniktir. Bundan dolayı, bu türden sözcüklerin artacağını söylemek mümkündür ve gelecekte hangilerinin kullanılıp kullanılmayacağını zaman gösterecektir.

Kaynakça

  • Bains, Sunny. (2001, May 01). “Holography”, SPIE’s International Technical Group Newsletter, Vol. 12, No. 2, pp. 1-12, http://www.fac-media.com/spie/Holography12-1.pdf
  • Benyon, Margaret. The Benyon Archive, http://www.mbenyon.com
  • Benyon, Margaret. (1992). “Do We Need an Aesthetics of Holography?”, Leonardo, Vol. 25, No. 5, Archives of Holography: A Partial View of a Three-Dimensional World: Special Issue, pp. 411-416, Published by The MIT Press.
  • Benyon, Margaret. (1989). "Cosmetic Series" 1985-1987: A Personal Account”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 307-312, Published by The MIT Press.
  • Boissonnet, Philippe. (2014). https://www.flickr.com/photos/uqtart/
  • Boissonnet, Philippe. (1989). “Holography and the Imaginary Double: The Image of Body”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 375-378, Published by The MIT Press.
  • Casdin-Silver, Harriet. (1989). “My First 10 Years as Artist/Holographer (1968-1977)”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue (1989), pp. 317-326, Published by: The MIT Press, Stable URL: http://www.jstor.org/stable/1575386
  • Coyle, Rebecca, Phillip Hayward. (1995). “Margaret Benyon: The Founding of Holographic Art”, Holographic Art in Australia, Chapter 2, University of Sydney, Power Publications, Australia.
  • Cross, Lloyd G., Cecil Cross. (1992). “HoloStories: Reminiscences and a Prognostication on Holography”, Leonardo, MIT Press.
  • Dawson, Paula. (2011). “The Visual Language of Holograms”, Advanced Holography - Metrology and Imaging, Editor Dr Izabela Naydenova, ISBN: 978-953-307-729-1, InTech, pp. 329-356.
  • Dawson, Paula. (2008). “Holographic Chiaroscuro: Figures in Virtual and Pseudoscopic Space”, Leonardo, 4103, pp.301-309.ps - 5/6/2008
  • Desbiens, Jacques. (2006, July). Nomadic Perspectives: Spatial Representation in Oriental Scroll Painting and Holographic Panoramagrams”, www.i-jacques.com
  • Dyens, Georges. “Land Art Artworks”, http://www.georgesdyens.com/en/o_liste_thematique.php?theme=artpaysager&type=mat
  • Dyens, Georges. (1989). “Holosculptures Holography and Sculpture, Spirit and Matter”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 383-388, Published by: The MIT Press.
  • Fabbri, Ferruccio. (2014, 12 June). Fabbri wrote me this information with e-mail. From laserato@gmail.com to vldnsk@gmail.com
  • Gamble, Susan & Michael Wenyon. (1995). “Bibliography (1991/1992)”, Volumes: Holograms of Books, Leonardo, Vol. 28, No. 4, pp. 331-332, Published by The MIT Press.
  • Grezsik, Becky. (2013, Feb 04). “Harriet Casden-Silver: Beauty & the Political Body”, http://mainearthappenings.blogspot.com.tr/
  • Hecht, Jeff. (2012, July 01). “Photonic Frontiers: Digital Holography: Digital Techniques Render Real-Time Response İn Holography”, http://www.laserfocusworld.com/articles/print/volume-48/issue007/features/digital-techniques-render-real-time-response-in-holography.html
  • Ishii, Setsuko. (2012). “Artistic Representation with Pulsed Holography”, 9th International Symposium on Display Holography (ISDH2012) IOP Publishing, Journal ofPhysics: Conference Series 415 (2013) 012001.
  • Ishii, Setsuko. (2009). “Installation with Sunlight and Holography - As Environmental Art”, International Symposium on Display Holography-ISDH, symposium speech video upload by rivervalleytv, 2012, http://www.youtube.com/watch?v=wBtqtoF_b_8
  • Ishii, Setsuko. (2006). “Artistic Representation with Holography”, Forma, 21, 81–92, http://www.scipress.org/journals/forma/pdf/2101/21010081.pdf
  • Işık, Vildan. (2014-a). “Classification of Holograms and Types of Hologram Used in Holographic Art”, International Conference on Communication, Media, Technology and Design - ICCMTD, 24-26 April, Istanbul, Turkey, pp. 35-41.
  • Işık, Vildan. (2014-b). “Types of Hologram Used in Holographic Art”, Electronic Journal of Social Sciences, ISSN:1304-0278, Spring, V.13, Issue: 49, pp. 366-385,
  • Işık, Vildan. (2013). “Holographic Art”, Electronic Journal of Social Sciences, ISSN:1304-0278, Autumn, V. 12, Issue: 47, pp. 212-231.
  • Işık, Vildan. (2012). Holography as a Medium of Artistic Expression, Arts Proficiency Thesis, Gazi University, Ankara, Turkey.
  • Jeong, Thung H. (2010). “Basic Principles and Applications of Holography”, https://spie.org/Documents/Publications/00%20STEP%20Module%2010.pdf
  • Jeong, Alec, T. H. Jeong. (2005). “How to Make Transmission Holograms”, Integraf L.L.C Holographic Film & Supplies, http://www.integraf.com/a-make_transmission_hologram.htm
  • Johnston, Sean F. (2004). Holograms: A Cultural History, Oxford University Press.
  • Jung, Dieter. (2012). “Moments of Seeing”, 9th International Symposium on Display Holography (ISDH 2012) IOP Publishing, Journal of Physics: Conference Series 415 (2013) 012081.
  • Jung, Dieter. (1989). “Holographic Space: A Historical View and Some Personal Experiences”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 331-336, Published by The MIT Press.
  • Kac, Eduardo. (1996). “Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960s”, Edited by K. David Jackson, Eric Vos, and Johanna Drucker, Amsterdam; Atlanta: Rodopi, pp. 247-257.
  • Kac, Eduardo. (1993). “Holopoetry, Hypertext, Hyperpoetry”, Holographic Imaging and Materials (Proc. SPIE 2043), Tung H. Jeong, Editor (Bellingham, WA: SPIE, 1993), pp. 72-81.
  • Kac, Eduardo, Ormeo Botelho. (1989). “Holopoetry and Fractal Holopoetry: Digital Holography as an Art Medium”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue, pp. 397-402, Published by: The MIT Press.
  • Kočíb, Zdeněk. (2000). “Luminograms: Apperent Movement in Two-Dimensional Images”, Leonardo, The MIT Press, S. 33, s. 107-110.
  • Kostelanetz, Richard. (1980). “My Artwork Entitled 'On Holography'”, Leonardo, Vol. 13, pp. 40-41, Pergamon Press.
  • K-soul. (2014-a). Esquisse d'une science de l'art, Fondement théorique de l'art holocinétique et du Jardin Cosmique, 1ère édition © K-soul - Avril 2014.http://www.jardincosmique.com/pdf/Esquisse_K-soul_Livre-101.pdf
  • K-soul. (2014-b). “Holokinetism – Reflection on the Digital Art”, Cosmic Garden Laboratory, http://www.jardincosmique.com/Publications-001-S.htm
  • Kurzen, Aaron. (1983). “Holographic Stereograms in Assemblage”,Leonardo, Vol. 16, No. 1 (Winter, 1983), pp. 10-14, Published by: The MIT Press.
  • Mueller, R.K., N. K. Sheridon. (1966). “Sound Holograms and Optical Reconstruction”, http://scitation.aip.org/content/aip/journal/apl/9/9/10.1063/1.1754771
  • Mulhem, Dominique. (2014). “Holopeinture – Holopainting”, https://www.facebook.com/mulhem?fref=ts
  • Nicholson, Ana Maria. (2012). “A Holographic Collaboration, 9th International Symposium on Display Holography”, Journal of Physics: Conference Series, IOP Publishing, http://iopscience.iop.org/1742-6596/415/1/012018
  • Nicholson, Ana Maria. (2009). “Holography: A Love Story”, http://66.39.59.128/AnaMariaNicholsonPaper.pdf
  • Nicholson, Ana Maria. (1989). “Some Thoughts on Holographic Portraiture”, Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue,Published by: The MIT Press, pp. 369-373.
  • Nicholson, Ana Maria. http://www.anamarianicholson.com/
  • Nigrosh, Leon. (1998, Nov. 27), “Body Art - Harriet Casdin-Silver Strips Us Down”, The Worcester Phoenix, http://www.worcesterphoenix.com/archive/art/98/11/27/HARRIET_CASDIN_SILVER.html
  • Nuñez, Ruben. “Holokinetism- Ruben Nuñez”, video upload from Jardin Cosmique (K-soul), 2012, http://www.youtube.com/watch?v=y1h9eHtaJX4&index=12&list=UURcADfL6pkPDkl3zp8jNdvQ
  • Pepper, Andrew. (2012). “Ruben Nuñez (1930–2012)”, Holographer.org,
  • http://holographer.org/ruben-nunez-1930%E2%80%932012/
  • Pepper, Andrew. (1995). “Holography as Large-Scale Event”, Leonardo, Vol. 28, No. 3, p. 234, Published by The MIT Press.
  • Razutis, Al. (2012). “Holographic Art by John Kaufman - 2D video by Al Razutis”, XAR3D's channel, https://www.youtube.com/watch?v=irlBm3Msfro&feature=youtu.be
  • Razutis, Al. (1979). “Holographic 'Hybrids' and 'Surrogates'”, “Some Notes on the Art of Holography”, “'Stress Topography' Interferometric Holograms By Al Razutis”, http://www.xalrazutis.org/alchemists/visual_alchemy/hybrids.html#historical, http://www.alchemists.com/visual_alchemy/west-coast2.html
  • Richardson, Martin. (1987). “Mixed Media: Holography Within Art”, Reprinted from
  • Leonardo, Vol. 20, No. 3, pp. 251 -255, Pergamon Press.
  • Ross, Jonathan. (2009). Jonathan Ross Hologram Collection,
  • http://www.jrholocollection.com/collection/
  • Saxby, Graham. (1994). Practical Holography, IOP Publishing, UK.
  • Schweitzer, Dan. (1992). “Interference: A Holographer's Personal History”, Leonardo, Vol. 25, No. 5, Archives of Holography: A Partial View of a Three-Dimensional World: Special Issue (1992),pp. 459-465,Published by The MIT Press.
  • Silberman, Rick. (2006, Oct. 23). “Conceptual Artist Rick Silberman Combines Magical Illusion, Theater and Science to Create Breakthrough Hologram - Holographic Art Transforms Traditional 'Cups & Balls' Magic Illusion”, http://www.prnewswire.com/news-releases/conceptual-artist-rick-silberman-combines-magical-illusion-theater-and-science-to-create-breakthrough-hologram-56594077.html
  • Stephens, Anait Arutunoff. (1978, Autumn). “My Art in the Domain of Reflection Holography”, Leonardo, Vol. 11, No. 4, pp. 306-307, Pergamon Press Ltd., Printed in Great Britain.
  • Taylor, R. (2012). “A Curious Conundrum; The State of Holographic Portraiture in the 21st Century”, 9th International Symposium on Display Holography (ISDH2012) IOP Publishing Journal of Physics: Conference Series 415 (2013) 012004.
  • Weber, Sally. “Solar & Public Art”, “Pulsed Light”, http://www.sallyweber.com/
  • Weber, Sally. (2016). “New Work”, http://www.sallyweber.com/#!new-work/co9f4
  • Warren, David. zipsisterholography.com, http://zipsisterholography.com/other%20art.html
  • Warren, David. (2012). “Hololujah; A One Kilometre Art Hologram”, 9th International Symposium on Display Holography (ISDH 2012), Journal of Physics: Conference Series 415, IOP Publishing.
  • Zone, Ray. (1989, Dec.). “The Holography of Alexander”, first published in Art Gallery International, http://www.ray3dzone.com/holo.html
  • Anonymous
  • D4D.com. “Thought by Graham Tunnadine”, http://www.sixhats.plus.com/3D4D_co_uk/html/inst/4thought.html
  • aesthetic.gregcookland.com. (2008, July 05). “Harriet Casdin-Silver”,
  • http://aesthetic.gregcookland.com/2008/07/harriet-casdin-silver.html
  • art-in-holography.org. (1996). http://www.art-in-holography.org/
  • artalog.net. “dominique MULHEM - marilyn-mondrian - Twilight Zones”, http://frno.artalog.net/artwork/artwork.php?id=2291&lang=en
  • bates.edu. (2005), “The Body Holographic: Harriet Casdin-Silver”, http://www.bates.edu/museum/exhibitions/past-exhibitions/y2005/the-body-holographic/
  • discogs.com. http://www.discogs.com/label/2480-Holographic
  • fondation-langlois.org. “Eduardo Kac”, http://www.fondation-langlois.org/html/e/page.php?NumPage=279
  • gallerynaga.com. http://www.gallerynaga.com/?q=node/37
  • globalimages-hologramartcollection.com. http://www.globalimages-hologramartcollection.com/#!”Assemblage”/zoom/c1ged/imagejp3
  • guggenheim-bilbao.es. “Quantum Field-X3”, http://www.guggenheim-bilbao.es/en/exhibitions/quantum-field-x3/
  • holocenter.org. (2009). “Ana Maria Nicholson: Portraits in Laser Light, November 23, 2008 – May 10, 2009”, Exhibition text on holocenter’s web page, http://holocenter.org/
  • holograms.co.uk. “The History of Spatial Imaging Portraits”, http://www.holograms.co.uk/portraits/page3.html
  • holophile.com. (2009). “History and Development of Holography”, http://www.holophile.com/history.htm
  • isdh.org. “Benyon, Margaret”, http://www.isdh.org.cn/en/news_showcontent.asp?ID=392
  • kfs.oeaw.ac.at. Acoustic Research Instutite. http://www.kfs.oeaw.ac.at/content/view/24/485/lang,8859-1/,
  • komar.cs.stthomas.edu. “Volumetric and Holographic Imaging”, Komar's Korner University,http://komar.cs.stthomas.edu/qm425/02s/Lloyd3.htm
  • Leonardo. (2001). “New Media Dictionary: Terms-Part 4: Holography”, Leonardo, Editor: Louise Poissant, Journal of the International Society for the Arts, Science and Technology, Massachusetts Institute of Technology-MIT Press, Vol. 34, No.4, p.370-380.
  • lmsintl.com. LMS Engineering Innovation. http://www.lmsintl.com/acoustic-holography,
  • MIT Museum. “Holography: The Light Fantastic”, http://web.mit.edu/museum/exhibitions/holography-the-light-fantastic.html
  • “MIT Museum Collections – Objects”, http://webmuseum.mit.edu/detail.php?t=objects&type=all&f=&s=aaron+kurzen&record=1
  • MIT News. (2003, Nov. 12). “Holography Pioneer Stephen Benton Dies at 61”, Massachusetts Institute of Technology, http://web.mit.edu/newsoffice/2003/benton.html
  • MLive.com. (2013, October 08). “Light as Form exhibit in Midland Center for the Arts”
  • ny3d.org. (2011, October). New York Stereoscopic Society, “Fine Art Holography at Hudson Beach Glass”, http://www.ny3d.org/2011/10/
  • obel.ee.uwa.edu.au. The Optical+Biomedical Engineering Laboratory, http://obel.ee.uwa.edu.au/research/holography/intro/
  • Rudie Berkhout Collection. http://www.facebook.com/therudieberkhoutcollection?fref=ts
Toplam 92 adet kaynakça vardır.

Ayrıntılar

Bölüm Makaleler
Yazarlar

Vildan Işık

Yayımlanma Tarihi 15 Ekim 2016
Gönderilme Tarihi 19 Nisan 2016
Yayımlandığı Sayı Yıl 2016 Cilt: 15 Sayı: 59

Kaynak Göster

APA Işık, V. (2016). HOLOGRAPHIC ART JARGON. Elektronik Sosyal Bilimler Dergisi, 15(59). https://doi.org/10.17755/esosder.263241

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Elektronik Sosyal Bilimler Dergisi (Electronic Journal of Social Sciences), Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı ile lisanslanmıştır.

ESBD Elektronik Sosyal Bilimler Dergisi (Electronic Journal of Social Sciences), Türk Patent ve Marka Kurumu tarafından tescil edilmiştir. Marka No:2011/119849.