Staging the unsayable: debbie tucker green’s political theatre

List of Works Cited

Agyekum, Kofi. “The Communicative Role of Silence in Akan.” Pragmatics 12.1 (2002): 31–51.10.1075/prag.12.1.03agySearch in Google Scholar

Bassett, Kate. Rev. of Stoning Mary (10 Apr. 2005), dir. Marianne Elliott. Theatre Record XXV (2005): 426.Search in Google Scholar

Billington, Michael. Rev. of Random (11 Mar. 2008), dir. Sacha Wares. Theatre Record XXVIII (2008): 284.Search in Google Scholar

Cavendish, Dominic. Rev. of Dirty Butterfly (4 Mar. 2003), dir. Rufus Norris. Theatre Record XXIII (2003): 248+.Search in Google Scholar

Cook, Mark. Rev. of Born Bad (7 May 2003), dir. Kathy Burke. Theatre Record XXIII (2003): 548.Search in Google Scholar

Coghlan, Alexandra. “Rev. of Stoning Mary, dir. Lee Lewis.” Time Out Sydney. 11 June 2008. <http://www.au.timeout.com/sydney/theatre/features/2354/stoning-mary>Search in Google Scholar

De Jongh, Nicholas. Rev. of Random (11 Mar. 2008), dir. Sacha Wares. Theatre Record XXVIII (2008): 284.Search in Google Scholar

Fragkou, Marissia. “‘Silent Witness’: Ethics of Responsibility in the Plays of Debbie Tucker Green.” Contemporary British Theatre: Towards a New Canon Conference. Birmingham City University, Birmingham. 16 Oct. 2010.Search in Google Scholar

Gardner, Lyn. “I Was Messing About [Interview with Debbie Tucker Green].” Guardian. March 2005. <http://www.theguardian.com/stage/2005/mar/30/theatre>Search in Google Scholar

Goddard, Lynette. “‘Death Never Used to Be for the Young’: Grieving Teenage Murder in Debbie Tucker Green's Random.” Women: A Cultural Review 20.3 (2009): 299–309.10.1080/09574040903285784Search in Google Scholar

–––. “Politics of Form in Debbie Tucker Green’s Plays.” Contemporary British Theatre: Towards a New Canon Conference. Birmingham City University, Birmingham. 16 Oct. 2010.Search in Google Scholar

Griffin, Gabriele. “Writing the Body: Reading Joan Riley, Grace Nichols and Ntozake Shange.” Black Women's Writing. Ed. Gina Wisker. Basingstoke: Macmillan, 1993. 19–42.10.1007/978-1-349-22504-0_2Search in Google Scholar

Johns, Ian. Rev. of Dirty Butterfly (6 Mar. 2003), dir. Rufus Norris. Theatre Record XXIII (2003): 251–2.Search in Google Scholar

Johns, Lindsay. “Black Theatre Is Blighted by Its Ghetto Mentality.” London Evening Standard, 9 Feb. 2010. <http://www.standard.co.uk/news/black-theatre-is-blighted-by-its-ghetto-mentality-6709941.html>Search in Google Scholar

Letts, Quentin. Daily Mail. Rev. of Generations (2 Mar. 2007), dir. Sacha Wares. Theatre Record XXVII (2007): 236.Search in Google Scholar

–––. Rev. of Random (11 Mar. 2008), dir. Sacha Wares. Theatre Record XXVIII (2008): 284.Search in Google Scholar

–––. Rev. of Stoning Mary (6 Apr. 2005), dir. Marianne Eliott. Theatre Record XXV (2005): 425.Search in Google Scholar

Macauley, Alastair. Rev. of Generations (2 Mar. 2007), dir. Sacha Wares. Theatre Record XXVII (2007): 235.Search in Google Scholar

Nathan, John. Rev. of Random (21 Mar. 2008), dir. Sacha Wares. Theatre Record XXVIII (2008): 287.Search in Google Scholar

Osborne, Deirdre. “Debbie Tucker Green and Dona Daley: Two Neo-Millennial Black British Women Playwrights.” Antares 4 (2010): 25–55.Search in Google Scholar

Royal Court. “The Laws of War”. Royal Court. n.d. <http://www.royalcourttheatre.com/whats-on/cries-from-the-heart-2010-presents-the-laws-of-war>Search in Google Scholar

–––. Random [flyer]. London: Royal Court, 2010.Search in Google Scholar

Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford UP, 1985.Search in Google Scholar

Shore, Robert. Rev. of Dirty Butterfly (5 Mar. 2003), dir. Rufus Norris. Theatre Record XXIII (2003): 251.Search in Google Scholar

Sierz, Aleks. Rewriting the Nation: British Theatre Today. London: Methuen, 2011.10.5040/9781408166819Search in Google Scholar

–––. “Interview with Sacha Wares.” Theatre Voice. Tribune, 2010. <http://www.theatrevoice.com/2243/director-sacha-wares-on-random/>Search in Google Scholar

–––. Rev. of Random (21 Mar. 2008), dir. Sacha Wares. Theatre Record XXVIII (2008): 287.Search in Google Scholar

–––. “If You Hate the Show, at Least You Have Passion [Interview with Debbie Tucker Green].” Independent. Apr. 2003. <http://www.inyerface-theatre.com/archive9.html#d>Search in Google Scholar

Sifianou, Maria. “Silence and politeness in silence: Interdisciplinary perspectives.” Studies in Anthropological Linguistics 10. Ed. Adam Jaworski. Berlin: Mouton de Gruyter, 1997. 63–84.Search in Google Scholar

The Agency. “Debbie Tucker Green”. TheAgency.co.uk. The Agency, n.d. <http://www.theagency.co.uk/clients/clientdisplay.html?viewListing=MTcy>Search in Google Scholar

tucker green, debbie. Random. London: Nick Hern, 2008. Print.Search in Google Scholar

–––. Stoning Mary. London: Nick Hern, 2005. Print.Search in Google Scholar

–––. Trade & Generations: Two Plays. London: Nick Hern, 2005. Print.Search in Google Scholar

–––. Born Bad. London: Nick Hern, 2003. Print.Search in Google Scholar

–––. She Three. 1999. MS TTC/5/1/119. Theatre and Performance Collections, Victoria and Albert Museum, London.Search in Google Scholar

Urban, Ken. “Cruel Brittania.” Cool Britannia?: British Political Drama in the 1990s. Ed. Rebecca D’Monté and Graham James Saunders. Basingstoke: Palgrave Macmillan, 2008. 38–55.Search in Google Scholar

Woddis, Carol. Rev. of Stoning Mary (10 Apr. 2005), dir. Marianne Elliott. Theatre Record XXV (2005): 426–7.Search in Google Scholar