The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium

Michele Elam

Published by Stanford University Press 2011

The Souls of Mixed Folk

Race, Politics, and Aesthetics in the New Millennium

Michele Elam

https://doi.org/10.1515/9780804777308

Overview
Contents

About this book

The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the "mulatto millennium."

The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?

Author / Editor information

Michele Elam is Martin Luther King, Jr. Centennial Professor in the Department of English at Stanford University. She is the author of Race, Work, and Desire in American Literature, 1860–1930 (2003).

Reviews

"The Souls of Mixed Folks brings into sharp and dynamic focus the crucial and complex reworkings of racial identity in the post civil rights era. Elam's deep historical insight coupled with her spot-on analysis of the conversation on mixed race in contemporary culture and politics will have a powerful impact on how we remember this pivotal moment. This book is a must have."—Tricia Rose, Brown University

"Re-imagining the truths we hold to be self evident and writing with with discernment, cogency, and wit, Michele Elam poses the question of the color line for the twenty-first century—'What line?'—across a dazzling array of media and genres."—Joseph Roach, Yale University

"This is a brilliant, timely and thorough study of a major topic in American culture. Elam elegantly maneuvers through the thickets of representation. Her scholarship is impeccable and her insights profound. The Souls of Mixed Folk will be read widely and cited as a definitive study of this complicated issue."—Jennifer D. Brody, Duke University

"Michele Elam presents a richly interwoven study of works of performance art, graphic narrative and English literature key to an American 'evolving coalition of interracial couples, families with transracial adoptees, and young people self-identifying as mixed race'."—Ruth Tait, Ethinicity and Race in a Changing World: A Review Journal

Topics

Frontmatter Publicly Available Download PDF	i
Table of Contents Publicly Available Download PDF	vii
Illustrations Publicly Available Download PDF	xi
Preface Publicly Available Download PDF	xiii
Acknowledgments Publicly Available Download PDF	xxi
Introduction. Mixed Race in the Post-Race Era Requires Authentication Unlicensed Licensed Download PDF	1
Chapter One. The Mis-education of Mixed Race Requires Authentication Unlicensed Licensed Download PDF	27
Chapter Two. The “Ethno-Ambiguo Hostility Syndrome” of the “Halfrican American”: Mixed Race in Aaron McGruder’s The Boondocks and Nate Creekmore’s Maintaining Requires Authentication Unlicensed Licensed Download PDF	57
Chapter Three. Passing in the Post-Race Era: Danzy Senna’s Caucasia, Philip Roth’s The Human Stain, and Colson Whitehead’s The Intuitionist Requires Authentication Unlicensed Licensed Download PDF	96
Chapter Four. “People just like us”: Emily Raboteau’s The Professor’s Daughter, Danzy Senna’s Symptomatic, and the Mixed Race Anti-Bildungsroman Requires Authentication Unlicensed Licensed Download PDF	125
Chapter Five. “They’s mo’ to bein’ black than meets the eye!”: Performing Mixed Race in Dave Chappelle’s “The Racial Draft” and Carl Hancock Rux’s Talk Requires Authentication Unlicensed Licensed Download PDF	160
Notes Requires Authentication Unlicensed Licensed Download PDF	205
Bibliography Requires Authentication Unlicensed Licensed Download PDF	243
Index Requires Authentication Unlicensed Licensed Download PDF	263

Language: English
Publisher: Stanford University Press
Audience: Professional and scholarly;
Pages
- Main content: 308
Illustrations
- Illustrations: 23

eBook

Published: February 21, 2011
ISBN: 9780804777308