The patron as producer: libraries, web 2.0, and participatory culture
Abstract
Purpose
The purpose of this paper is to offer a theoretical framework for applying Web 2.0 technologies and design principles to the development of participatory cultures within libraries. A participatory culture is one that focusses on facilitating interaction and the creation of content by users rather than the consumption of content created or compiled by experts.
Design/methodology/approach
This study is a literature-based theoretical analysis that explores the role of libraries as agents of cultural hegemony and techniques for developing socially responsible library praxis. It combines insights from a variety of discourses including Western Marxist theories of hegemony, critical theories of library and information science, professional literature regarding “Library 2.0” service models, and media studies theories of participatory culture.
Findings
Libraries do not just organize knowledge; they construct it. Furthermore, these constructions tend to reinforce dominant discourses while marginalizing others. By adopting participatory technologies and design principles, libraries can support greater diversity of expression and create spaces for marginalized discourses.
Practical implications
This paper offers suggestions for applying principles of participatory culture to the design of library services such as collection development, cataloging and classification, reference, instruction, and institutional repositories.
Originality/value
This paper provides a conceptual framework for understanding and evaluating the significance of Web 2.0 for library and information science by applying theoretical perspectives from other disciplines.
Keywords
Citation
Deodato, J. (2014), "The patron as producer: libraries, web 2.0, and participatory culture", Journal of Documentation, Vol. 70 No. 5, pp. 734-758. https://doi.org/10.1108/JD-10-2012-0127
Publisher
:Emerald Group Publishing Limited
Copyright © 2014, Emerald Group Publishing Limited