Abstract
Advanced capitalism is at a historical conjuncture in which aestheticization and financialization combine to intensify and deepen the ‘cult of capitalism’ at the expense of economic imagination. International Political Economy (IPE) is, however, not only poorly equipped to understand the implications of these closely linked transformations, it also avoids considering them by shunning aesthetics. To contribute to the rejuvenation of economic imagination, IPE must explicitly aim at both understanding these processes and their confluences, and engaging with them. Rescue cannot come from orthodox IPE because of its embededdness in the reified ‘Kantian Desire’, which promotes the neglect of recognition in aesthetics and the complexities of human agency under financialization. Critical IPE is more apt at grasping related struggles, which it has shown in for instance research on the financialization of everyday life. Nevertheless, its engagement with aesthetics remains modest and inadequate. Critical IPE concerned with financialization should see it as one of its core tasks to turn to and engage with aesthetics as a means to contribute to critical economic imagination. To this end, the article outlines a critical IPE approach to aesthetics, inspired by Frankfurt School Critical Theory.
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Notes
In contrast, in the ‘Aesthetic Turn’ in International Relations, political economy shines in its absence (Holden, 2006, p. 802).
While this is not the space for a more concrete analysis of a state-theoretical analysis of the historically specific ways in which the confluences of aestheticization and financialization are articulated in this historical conjuncture, I will below suggest how to understand this.
‘Liberal capitalism’, here, refers, imprecisely, to the range of social formations that have emerged in ‘the West’, including, ideal-typically, social democratic, (neo)liberal and conservative market-coordinated capitalisms.
Although far from in any straightforward, modernization sense (Haupt, 2003, pp. 117–160).
However, as Trentmann argues, as ‘a dominant social formation [they were] limited to particular regions and cities as well as to particular classes’ (2004, p. 382).
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Belfrage, C. For a critical engagement with aesthetics in IPE: Revitalizing economic imagination in times of crisis. Int Polit 49, 154–176 (2012). https://doi.org/10.1057/ip.2011.36
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DOI: https://doi.org/10.1057/ip.2011.36