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The Contemporary Documentary Road Movie in Latin America: Issues on Mobility, Displacement, and Autobiography

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The Latin American Road Movie

Part of the book series: Global Cinema ((GLOBALCINE))

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Abstract

This chapter studies the representation of displacement and mobility in contemporary documentaries influenced by the road movie genre in terms of iconography, narrative patterns, and visual cues. Piedras analyzes three first person documentaries made by female directors: The Illusion (Susana Barriga, Cuba, 2008), Diario de uma busca (Flávia Castro, Brazil, 2010), and Hija (María Paz González, Chile, 2011). These non-fiction films have employed conventions of the road movie to put in flux issues of identity—personal and collective—and memory with a distinctive focus on gender. Piedras argues that Latin American women’s directors have found in contemporary first person documentaries a cogent genre to articulate a strong female agency and face issues such as their relationship with conflictive paternal figures.

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Author information

Authors and Affiliations

  1. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET), Buenos Aires, Argentina

    Pablo Piedras

Authors
  1. Pablo Piedras
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Editor information

Editors and Affiliations

  1. Spanish, The University of Kansas , Lawrence, Kansas, USA

    Verónica Garibotto

  2. University of Kansas , Lawrence, USA

    Jorge Pérez

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© 2016 The Editor(s) (if applicable) and The Author(s)

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Piedras, P. (2016). The Contemporary Documentary Road Movie in Latin America: Issues on Mobility, Displacement, and Autobiography. In: Garibotto, V., Pérez, J. (eds) The Latin American Road Movie. Global Cinema. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-58093-1_11

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