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Juvenal 1.149 and 10.106–7

Published online by Cambridge University Press:  11 February 2009

D. A. Kidd
Affiliation:
University of Canterbury, New Zealand

Extract

The traditional interpretation of line 149 understands in praecipiti as a metaphor expressing the height that vice has reached in Juvenal's day. Vice is now ‘at its zenith’ (Mayor), ‘at its highest point’ (Hardy), ‘auf demGipfel’ (Friedlaender, Knoche), ‘at its acme’ (Ramsay), ‘a son comble’ (Labriolle and Villeneuve), ‘at a climax’ (Sedgwick), ‘at a dizzy height’ (Highet). Lewis and Short have a special sub-heading, II. B. 3. b. (β), for this example of praeceps (together with Pliny's accedere adpraeceps in Epp. 9. 26. 2) and translate ‘at its point of culmination’.

Type
Research Article
Copyright
Copyright © The Classical Association 1964

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References

page 103 note 1 Thirteen Satires of Juvenal (London, 1880).Google Scholar

page 103 note 2 The Satires of Juvenal (London, 1891).Google Scholar

page 103 note 3 Junii, D.Juvenalis saturarum libri V (Leipzig, 1895).Google Scholar

page 103 note 4 Iunius, D.luvenalis, Saturae (Munich, 1950).Google Scholar

page 103 note 5 Juvenal and Persius (London, 1918).Google Scholar

page 103 note 6 Juvenal, Satires (Paris, 1932).Google Scholar

page 103 note 7 The Cena Trimalchionis of Petronius (Oxford, 1950), p. 113.Google Scholar

page 103 note 8 Juvenal the Satirist (Oxford, 1954), p. 54.Google Scholar

page 103 note 9 Fourteen Satires of Juvenal (Cambridge, 1898).Google Scholar

page 103 note 10 But not of falling ‘one way or anotfier’, as Sedgwick comments in his note on Petr. 55. 1.

page 106 note 1 Quintiliani Institutionis Oratoriae Liber XII (Oxford, 1948).Google Scholar

page 106 note 2 The First Satire of Juvenal’, Proceedings of the Cambridge Philological Society, N.s. viii (1962), 3436. I am also indebted to Mr. Kenney for criticisms received during the preparation of this article.Google Scholar

page 108 note 1 Cf. Lawall, G., ‘Exempla and theme in Juvenal's Tenth Satire’, T.A.Ph.A. lxxxix (1958), 29, on the tower image ‘as representative of the frustration implied in all the casus illnstrium uirorurri’.Google Scholar