Abstract
A very well preserved painting, reliably signed and dated 1630, that can be considered an authentic and very characteristic work from that year.
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References
Cf. Bauch, Eckstein, Meier-Siem, p. 491.
J. L. A. A. M. van Rijckevorsel, Rembrandt en de traditie, Rotterdam 1932, p. 80; cf. J. Bruyn, ‘Rembrandt and the Italian Baroque’, Simiolus 4 (1970), pp. 28–48, esp. pp. 32–34.
J. Smith, A Catalogue raisonné of the works of the most eminent Dutch, Flemish and French painters VII, London 1836, nos. 9 and 190.
C. Vosmaer, Rembrandt Harmens van Rijn. Sa vie et ses oeuvres, The Hague 1868, pp. 2–3.
E. Michel, Rembrandt, sa vie, son oeuvre et son temps, Paris 1893, pp. 52–53.
W. Bode, C. Hofstede de Groot, Rembrandt I, Paris 1897, no. 39.
J. G. van Gelder, ‘Jeremia treurende over de verwoesting van Jeruzalem’, Openbaar Kunstbezit 7 (1963), no. 15.
R. Wischnitzer, ‘Rembrandt, Callot, and Tobias Stimmer’, Art Bull. 39 (1957) pp. 224–230, esp. p. 226.
Catalogue of paintings, Rijksmuseum Amsterdam, 1960, p. 261, no. 2024 A5.
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© 1982 Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers
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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1982). Jeremiah lamenting the destruction of Jerusalem. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 1. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-7517-0_33
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DOI: https://doi.org/10.1007/978-94-009-7517-0_33
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