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Part of the book series: New ICMI Study Series ((NISS,volume 15))

Abstract

This paper briefly reviews some epistemological perspectives on the foundation of mathematical concepts and proofs. It provides examples of axioms and proofs, from Euclid to recent “concrete incompleteness” theorems. In reference to basic cognitive phenomena, the paper focuses on order and symmetries as core “construction principles” for mathematical knowledge. It then distinguishes between these principles and the “proof principles” of modern Mathematical Logic. It also emphasises the role of the blending of these different forms of founding principles for the purposes both of proving and of understanding and communicating the proof.

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Notes

  1. 1.

    In my interpretation, existence, in the first axiom, is by construction and unicity by symmetry.

  2. 2.

    Schrödinger stresses that a fundamental feature of Greek philosophy is the absence of ‘the ­unbearable division, which affected us for centuries… : the division between science and religion’ (quoted in Fraisopi 2009).

  3. 3.

    Actually “signs” (σημεια, definition α): Boetius first used the word and the meaning of “point”. Note that a sign-point (σημειον) in Euclid is identified with the letter that names it (see Toth 2002).

  4. 4.

    This section is partly borrowed from the introduction to Longo (2002).

  5. 5.

    For more on the connections between “proof principles” and “construction principles” in ­mathematics and physics, see Bailly and Longo (2006).

  6. 6.

    Concerning “concrete” incompleteness: An analysis of the nonprovability of normalisation for non-predicative Type Theory, Girard’s system F, in terms of prototype proofs is proposed in Longo (2002).

  7. 7.

    For a close proof-theoretic investigation of KT, see Harrington and Simpson (1985), Gallier (1991). I borrow here a few remarks from Longo (2002), which proposes a further analysis.

  8. 8.

    Masaccio and Piero invented the modern perspective, in Annunciations first (1400–1450), by the explicit use of points of converging parallel lines. As a matter of fact, the Annunciation is the locus of the encounter of the Infinity of God with the Madonna, a (finite) woman (see Panovsky 1991). Later, “infinity in painting”, by the work of Piero himself, became a general technique to describe finite spaces better.

  9. 9.

    Klein and Clifford also stressed the role of symmetries in Euclidean Geometry: It is the only geometry which is closed under homotheties. That is, its group of automorphisms, and only its group, contains this form of symmetry.

  10. 10.

    See Weyl (1949) for an early mathematical and philosophical insight into this. For recent reflections, see van Fraassen (1993); and Bailly and Longo (2006).

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Acknowledgements

Many discussions with Imre Toth, and his comments, helped to set my (apparently new) understanding of Euclid on more sound historical underpinnings. Rossella Fabbrichesi helped me to understand Greek thought and the philosophical sense of my perspective. My daughter Sara taught me about “infinity in the painting” in the Italian Quattrocento. The editors proposed a very close revision for English and style.

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Correspondence to Giuseppe Longo .

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 (Longo’s articles can be downloaded from: http://www.di.ens.fr/users/longo/)

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Longo, G. (2012). Theorems as Constructive Visions. In: Hanna, G., de Villiers, M. (eds) Proof and Proving in Mathematics Education. New ICMI Study Series, vol 15. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-2129-6_3

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