Skip to main content

Interactive Multimedia Installations:Towards a Model for Preservation

  • Conference paper
Arts and Technology (ArtsIT 2013)

Abstract

Interactive Multimedia Installations (IMIs) are invaluable for the history of art and culture, for media technology and for other disciplines involved in the scientific research and the areas of application. Despite their importance, Interactive Multimedia Installations show some weaknesses that threaten their chance to be preserved long enough to be studied or replicated: (1) they show a complexity that cannot be oversimplified; (2) they are highly refractory to preservation. Moreover, they show an alarmingly short life expectancy compared to other cultural materials, such as audio-video carriers, let alone paper documents, paintings and sculptures. This paper presents the main problems related to the preservation of Interactive Multimedia Installations , and proposes the core of a possible solution.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. von Bertalanffy, L.: General System Theory. George Braziller, New York (1968)

    Google Scholar 

  2. Bowers, J., Bannon, L., Fraser, M., Hindmarsh, J., Benford, S., Heath, C., Taxén, G., Ciolfi, L.: From the Disappearing Computer to Living Exhibitions: Shaping Interactivity in Museum Settings. In: Yuan, F., Kameas, A.D., Mavrommati, I. (eds.) The Disappearing Computer. LNCS, vol. 4500, pp. 30–49. Springer, Heidelberg (2007)

    Chapter  Google Scholar 

  3. Bressan, F., Canazza, S., Rodà, A., Orio, N.: Preserving today for tomorrow: A case study of an archive of interactive music installations. In: Workshop on Exploring Musical Information Spaces (WEMIS) in Conjunction with ECDL 2009, Corfu (Greece), pp. 24–29 (2009)

    Google Scholar 

  4. Canazza, S., Dattolo, A.: The past through the future: A hypermedia model for handling the information stored in the audio memories. Journal of New Music Research 38(4), 381–396 (2009)

    Article  Google Scholar 

  5. Doerr, M.: The cidoc crm – an ontological approach to semantic interoperability of metadata. AI Magazine 24(3), 75–92 (2003)

    MathSciNet  Google Scholar 

  6. Doerr, M.: Increasing the power of semantic interoperability for the european library. ERCIM News 26, 26–27 (2006)

    Google Scholar 

  7. Dourish, P.: Where The Action Is: The Foundations of Embodied Interaction. MIT Press (2001)

    Google Scholar 

  8. Edmonson, R.: Memory of the World: General Guidelines to Safeguard Documentary Heritage. UNESCO (2002)

    Google Scholar 

  9. Gill, T.: Building semantic bridges between museums, libraries and archives: the cidoc conceptual reference model. First Monday 9(5) (2004), http://firstmonday.org/issues/issue9_5/gill/index.html

  10. Hedstrom, M.: It’s about time: Research challenges in digital archiving and long-term preservation. Final report on a workshop on research challenges in digital archiving. Tech. rep., Library of Congress, Washington, DC (2002)

    Google Scholar 

  11. IASA: The IASA Cataloguing Rules. IASA Editorial Group (1999)

    Google Scholar 

  12. Leman, M.: Embodied Music Cognition and Mediation Technology. MIT Press (2008)

    Google Scholar 

  13. Leman, M.: Systematic and Comparative Musicology: Concepts, Methods, Findings. In: Hamburger Jahrbuch für Musikwissenschaft, vol. 24, ch. Systematic Musicology at the Crossroads of Modern Music Research, pp. 89–115. Peter Lang Verlagsgruppe, Frankfurt am Main (2008)

    Google Scholar 

  14. Manovich, L.: The Language of New Media. MIT Press (2001)

    Google Scholar 

  15. Negroponte, N.: Being Digital. Vintage Books, New York (1995)

    Google Scholar 

  16. Ng, K., Pham, T.V., Ong, B., Mikroyannidis, A., Giaretta, D.: Components of interactive multimedia performance and preservations. In: Electronic Visualization of the Arts (EVA) London Conference (2007)

    Google Scholar 

  17. Ng, K., Pham, T.V., Ong, B., Mikroyannidis, A., Giaretta, D.: Preservation of interactive multimedia performances. International Journal of Metadata, Semantics and Ontologies 3(3), 183–196 (2008)

    Article  Google Scholar 

  18. Ng, K., Pham, T.V., Ong, B., Mikroyannidis, A., Giaretta, D.: Ontology for Preservation of Interactive Multimedia Performances. In: Metadata and Semantics. Springer US (2009)

    Google Scholar 

  19. Rocchesso, D., Bresin, R.: Emerging sounds for disappearing computers. In: Yuan, F., Kameas, A.D., Mavrommati, I. (eds.) The Disappearing Computer. LNCS, vol. 4500, pp. 233–254. Springer, Heidelberg (2007)

    Chapter  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2013 ICST Institute for Computer Science, Social Informatics and Telecommunications Engineering

About this paper

Cite this paper

Bressan, F., Canazza, S., Rodá, A. (2013). Interactive Multimedia Installations:Towards a Model for Preservation. In: De Michelis, G., Tisato, F., Bene, A., Bernini, D. (eds) Arts and Technology. ArtsIT 2013. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, vol 116. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-37982-6_11

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-37982-6_11

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-37981-9

  • Online ISBN: 978-3-642-37982-6

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics