Skip to main content

Who We Are

  • Chapter
  • First Online:
  • 427 Accesses

Part of the book series: New Directions in Book History ((NDBH))

Abstract

This chapter discusses the history of MAPP in light of our own research goals and shows how this digital project allows us each to make strides in our work individually as well as together. We address how we made first connections with each other and formed a group identity that enabled the building of MAPP, the writing of this book, and the reciprocal relationships that have grown up around our individual and collective research.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   69.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    For excellent analyses of feminist theories of the archive in the digital era, see Wernimont (2013). ‘[F]eminist effects’ is Wernimont’s phrase, used in part to explore the intersectionality of feminist collaborative practice and digital cooperatives. See also Wernimont and Flanders (2010). See Tara McPherson for a broader cultural studies approach to the technosocial history of computing and why ‘[w]e must historicize and politicize code studies’ (2012, p. 153).

  2. 2.

    The Kindle was introduced in 2007. In 2011 sales of e-books outstripped Amazon’s print books for the first time.

Works Cited

  • Cuddy-Keane, M. (2005) ‘From Fan-Mail to Readers’ Letters: Locating John Farrelly’, Woolf Studies Annual, 11, 3–32.

    Google Scholar 

  • Daugherty, B.R. (ed.) (2006) Special Issue on Woolf’s Fan Mail. Woolf Studies Annual, 12.

    Google Scholar 

  • Gillespie, D. (2004) ‘Virginia Woolf and the Curious Case of Berta Ruck’, Woolf Studies Annual, 10, 109–138.

    Google Scholar 

  • Mak, B., and J. Pollack (2013) ‘The Performance and Practice of Research in A Cabinet of Curiosity: The Library’s Dead Time’, Art Documentation: Journal of the Art Libraries Society of North America, 32.2, 202–21.

    Google Scholar 

  • McKenzie, D.F. (1999) Bibliography and the Sociology of Texts (Cambridge: Cambridge University Press).

    Book  Google Scholar 

  • McPherson, T. (2012) ‘Why are the Digital Humanities So White? or Thinking the Histories of Race and Computation’, in M.K. Gold (ed.) Debates in the Digital Humanities (Minneapolis and London: University of Minnesota Press), pp. 139–160.

    Chapter  Google Scholar 

  • Scott, B.K. (1990) The Gender of Modernism: A Critical Anthology (Bloomington: Indiana University Press).

    Google Scholar 

  • Snaith, A. (ed.) (2001) ‘Wide Circles: The Three Guineas Letters’, Woolf Studies Annual, 7, 1–12.

    Google Scholar 

  • Southworth, H. (2004) The Intersecting Realities and Fictions of Virginia Woolf and Colette (Columbus: Ohio UP).

    Google Scholar 

  • Staveley, A. (2009) ‘Marketing Virginia Woolf: Women, War, and Public Relations in Three Guineas’, Book History, 12, 295–339.

    Article  Google Scholar 

  • Wernimont, J. (2013) ‘Whence Feminism? Assessing Feminist Interventions in Digital Literary Archives’, DHQ: Digital Humanities Quarterly, 7.1, http://www.digitalhumanities.org/dhq/vol/7/1/000156/000156.html.

  • Wernimont, J. and J. Flanders (2010) ‘Feminism in the Age of Digital Archives: The Women Writers Project’, Tulsa Studies in Women’s Literature, 29.2, 425–35.

    Google Scholar 

  • Wilson, N. (2014) ‘Archive Fever: The Publishers’ Archive and the History of the Novel’. in P Parrinder, A. Nash, and N. Wilson (eds.), New Directions in the History of the Novel (Houndmills: Palgrave Macmillan), pp. 76–87.

    Chapter  Google Scholar 

  • Sprague, K. (2007). T.H. White’s Troubled Heart: Women in The Once and Future King. Suffolk: Boydell and Brewer.

    Google Scholar 

  • Southworth, H. (2017) Fresca: A Life in the Making. A Biographer’s Quest for a Forgotten Bloomsbury Polymath (Brighton: Sussex Academic Press).

    Google Scholar 

  • Monfort, N., P. Baudoin, J. Bell, I. Bogost, J. Douglass, M.C. Marino, M. Mateas, C. Reas, M. Sample and N. Vawter. (2013) 10 PRINT CHR$(205.5+RND(1));: GOTO 10. (Cambridge, MA: The MIT Press).

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Battershill, C., Southworth, H., Staveley, A., Widner, M., Willson Gordon, E., Wilson, N. (2017). Who We Are. In: Scholarly Adventures in Digital Humanities. New Directions in Book History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-47211-9_3

Download citation

Publish with us

Policies and ethics