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A Micro View of Design Reasoning: Two-Way Shifts Between Embodiment and Rationale

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Creativity and Rationale

Part of the book series: Human–Computer Interaction Series ((HCIS,volume 20))

Abstract

This chapter is based on the assumption that because designing (of tangible artifacts) is aimed at specifying configurations and properties of entities, designers must manipulate forms and shapes and they must resort to visual reasoning to do so. Visual reasoning in designing is seen as the interplay between two modes of reasoning: embodiment and rationale, such that the one supports and continues the other in order to arrive at a result that is novel and valid in terms of all the requirements it is to satisfy. We use protocol analysis to explore the bond between embodiment and rationale reasoning modes at two levels of cognitive operation – that of the design move and that of the argument that is its building block. We conclude that the two modes of reasoning are equi-present in designing; they describe a binary system characterized by high-frequency shifts between embodiment and rationale.

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Notes

  1. 1.

    Personal communication, Vienna, April 6, 1994.

  2. 2.

    Design in this chapter refers to physical design only, such as architectural, industrial, or graphic design.

  3. 3.

    Unless otherwise noted, codes are assigned by three coders; when at least two coders agree on the same coding, it is assigned.

  4. 4.

    In the segments analyzed here, team-members generated an argument every 2.8 s, whereas the individual took 6.9 s to produce an argument.

  5. 5.

    In these studies a single experimenter coded the arguments. As mentioned earlier, in the current study three coders determined the final assignment of codes.

  6. 6.

    We have reservations concerning the differentiation between these activities, but we report Akin and Lin’s study in the spirit in which it was undertaken.

  7. 7.

    The protocol in question was recorded by graduate students Eran Toch and Yael Yariv as part of a term paper in the course Cognitive aspects of the design process at the Technion, in March 2005.

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Acknowledgements

The research for this chapter was supported by a grant from the fund for the promotion of research at the Technion, hereby gratefully acknowledged. A preliminary version of this work was published under the title “Is a figure-concept binary argumentation patterns inherent in visual design reasoning?” in the proceedings of International Conference on Visual and Spatial Reasoning in Design: Computational and Cognitive Approaches, Bellagio, 177–205, 2001.

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Correspondence to Gabriela Goldschmidt .

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Goldschmidt, G. (2013). A Micro View of Design Reasoning: Two-Way Shifts Between Embodiment and Rationale. In: Carroll, J. (eds) Creativity and Rationale. Human–Computer Interaction Series, vol 20. Springer, London. https://doi.org/10.1007/978-1-4471-4111-2_3

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  • DOI: https://doi.org/10.1007/978-1-4471-4111-2_3

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