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以布袋戲意象應用在現代娛樂產品設計的探討

The Application of Palmdrama Image on Modern Entertaining Products

摘要


布袋戲是台灣俗民文化的代表,早年在農業社會裡和庶民生活自然契合,直至今日,電視布袋戲的興盛、演藝師的受到尊重、學術整理和研討的擴張、霹靂炫風等等,在不同的時期,台灣布袋戲見證了本地社會的發展,與生民相依,自然滋長的傳統生態,在現代化生活中接受挑戰、為存續所做的改革,讓更多人了解代表台灣的傳統俗民文化。在本研究中,以文獻探討等多方資料收集,企圖更接近布袋戲原貌;針對年輕世代作問卷調查,了解年輕人心目中的布袋戲象徵意象,進而以布袋戲意象與現代的科技結合,設計出符合潮流的現代娛樂產品,探討傳統與現代科技結合的可能。

關鍵字

布袋戲 文化創意 產品設計

並列摘要


The Palmdrama is a representative of the Taiwanese folk culture. In the agriculture society of earlier times, the Palmdrama and the commons live were in agreement until today-the TV Palmdrama is prosperous, the master is in high reputation, the academic research is developed, and PILI is popular etc. In different periods, Taiwanese Palmdrama witness native and social developments. Taiwanese Palmdrama and people depend on each other. The traditional culture naturally growing accepts the challenge of the modernization, takes the reform in order to survive, and enable more people of to serve as a representative of the Taiwanese folk culture. This study attempts to approach the original symbols of Palmdrama, adopting a questionnaire aiming at the young generation, in order to understand Palmdrama symbols from young generation's point of view. Palmdrama symbols together with modern science and technology offers a modern amusement product to match the current needs. The study hopes to explore the possibility that traditional culture and modern science and technology can bring along.

並列關鍵字

palmdrama cultural creativity product design

參考文獻


Leong, B. D.(2003).Culture-Based Knowledge Towards New Design Thinking and Practice-A Dialogue.Design Issues.19,48-58.
何明泉、林其祥、劉怡君(1996)。文化商品開發設計之構思。設計學報。1,1-14。
吳錦發()。
卓耀宗譯、DonaldA. Norman著(2000)。設計心理學:以使用者為中心、安全易用的日常生活用品設計原理。台北:遠流出版公司。
林榮泰(2005)。文化創意,設計加值。藝術欣賞。1(7),26-32。

被引用紀錄


陳喬富(2013)。媒介空間設定與意識型態之流變:以布袋戲為例〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2013.00747
曾瓊瑩(2009)。傳統文化產業之創新:以霹靂布袋戲為例〔碩士論文,元智大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0009-0307200911195300

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