“There are 70% of Hakkas males who learned martial arts; even the scholars obtain training at night.” Due to the rural environment, the aloof agricultural life oftentimes leads to get a den of robbers；habituate to firm and persistent , honest and straightforward ,make light of militarism , martial arts training became a cultural practice in Hakka community. Moreover, having an exceedingly difficult emigration history, Hakka people seek martial arts training as self defense; this eventually shaped their distinctive martial background. The range of this research is mainly about Xin-Zhu‚Xiong-Lin and the Chao-An Hakka in Yun-Lin region. Many Hakka People’s are living in Taoyuan-Hsinchu-Miaoli, Kaohsiung-Pingtung and Hualien-Taitung region in Taiwan. Most of the population are in Taoyuan-Hsinchu-Miaoli, and Yunlin Huge-Siluo region is the most special Hakkas population space in midland of Taiwan. In the case of Southeast Asia Pulau Pinang’s Hakkas’s people inhabit in Balik Pulau practice Hakkas’s martial art, property and the born are as same as Taiwanese Hakkas’s people. Although each area has different development, talk about Hakkas martial art’s evolution is same in the culture. Study method is mainly by History’s study method. With searching and analyzing related data, original region’s History, Taiwan local records and journalists as special space-time textual research. At the same time, using rural investigation to examine and observe. Maritial art is a form of culture. Hakka martial art formed from their lifestyles, where they reform and delivers to the next generation. The cultural facets and content alters in different environments. Stepping in the 21st century, traditional cultures and Hakka spirits gradually disappear. While investigating the situation of Hakka martial art in Taiwan (comparing to the Hakka martial art overseas), the research should begin from cultural uniqueness and connects to the current educational structure overall.