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  • 學位論文

生活與音樂之生命探索-李宥儒創作論述

Life Exploration of Livelihood and Music—Creation by Lee, Yu-Ju

指導教授 : 洪明爵
共同指導教授 : 吳永欽(Yung-Chin Wu)

摘要


本篇創作研究為2010到2013年研究所期間基於個人的藝術生活歷程與學習背景進行創作的自我探索、試驗與實踐過程。藉由生活經驗、場景以及所接觸關於音樂一系列的人、事、物,探討透過裝置藝術與繪畫體現音樂場景與樂手心境的創作過程。本論述以重現、自我省思、文獻探討、歷史探討、風格造型分析,以及作品分析法剖析個人藝術生活歷程與藝術創作的關聯,並藉由當代美學、各種藝術呈現方式的異同探討作品整體的相關脈絡。   全文首先透過筆者的個人藝術生活經歷與成長學習背景,引導出進行本篇論述的動機,藉文獻探討回顧過往結合音樂和繪畫的創作思維論點,以歷史回顧方式闡述「泡泡藝術」的多種創作可能性,同時將音樂與繪畫結合之藝術品和多種「泡泡藝術」的表現形式以風格造型分析法剖析其作品脈絡,試圖完成探索「泡泡」的聯想與全新詮釋方式、從Live House的啟發分析作品在表現方式上的新思維,以及整合個人哲學思辨與創作策略之目的;在創作技法方面,筆者深受前衛藝術福祿克斯(Fluxus)創作概念中「為生活而藝術」與「隨機」的影響,並從吉他手的「禪道」中體會吉他手必須回歸初衷來倒空自己重新出發,領會到畫面留白的美感。創作階段分為「樂手」與「泡泡藝術」兩種系列,其中「樂手」系列作品,其創作形式以平面繪畫方式呈現之,而「泡泡藝術」系列作品,主要使用以「發泡」結合「啤酒罐」為媒材,以其「發泡」、「流動」的特性加上「啤酒罐」所代表的符號,加以軟性材質雕塑。最後,由本次創作研究中發現無論是音樂創作或是藝術創作,皆如一面反映自我生活歷程的鏡子,這是藝術家自我情緒與生命的表達,也都是當代全新媒材的實驗,更可以說是一種個人私領域中純粹的自我追尋。也建議往後進行相關主題與媒材的創作者,可以將樂曲中的「頻率」同時結合到畫作之中,亦可以在泡泡藝術方面嘗試更加多元的媒材。

關鍵字

福祿克斯 樂手 Live House 發泡 泡泡藝術

並列摘要


This study presents the introspection, experiments, and processes of realization of the author’s personal art life and cultural background of art study. Through life experiences, the scene and contacted about people, things, and objects of music to explore through the installation art and paintings reflect the mood of the music scene with musicians composing process. This study used the method of reproduce, self-reflection, literature, history exploration, style modeling analysis to dissect the personal art to life with artistic creation associated works analysis. Through contemporary aesthetics and different ways of art presented the way of the similarities and differences of the work as a whole relevant context. In the first part, this study go through the author's personal the artistic life experiences and grow up learning background, to guide the motives of this discourse, through the literature exploration retrospect combines music and painting, creative thinking arguments, and used the method of history exploration to elaborate the progress of “Bubble Art” . At the same time, this part provides the thread of combining music and art, and the thread of different kinds of “Bubble Art”. This attempt was about to understand both the exploration of “Bubble Art Creation” and the brand new thought which analyze art content by the inspiration of Live Houses, to reach the goal of this study. The artistic creation part includes “Musician” series and “Bubble Art” series, the “Musician” series forms with flat painting tactics, and the “Bubble Art” series mainly uses “Vesicant” and “Beer cans” as production media. Finally this study presents both the composition and art creation is just like the mirror of life, which inflects the personal mood and life experiences of an artist. It was also about a brand new experiment of combining contemporary media; especially it’s also a personal pursuit of the artists’ own life. I suggest the following research fellow who try to proceed this relevant studies, could try to combine the “Audio Frequency” into paintings, and also try more media to create different bubble art.

並列關鍵字

Fluxus Musician Live House Foaming Bubble Art

參考文獻


塚本進(2010),THE TOUR,台灣國際角川書店股份有限公司。
蔡明錕、文鎧威譯(2004),搖滾樂 狂躁的歷史,城邦文化事業股份有限公司。
陳郁秀(1997),音樂台灣一百年論文集,財團法人白鷺鷥文教基金會。
Lanier, V. (1980). Six items on the agenda for the eighties. Art Education, 33(5), 16-23
露西.利帕Lucy R. Lippard編(1991):《普普藝術》。臺北市,遠流。

被引用紀錄


王貞治(2012)。桃園縣國中乙級籃球代表隊教練領導行為與團隊凝聚力關係之研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315270007

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