The paper aims to investigate the quanshu (the martial art routine using bare hands) routines in the Xigang religious festival and its origin. Fourteen groups of Song-Jiang Martial Troupes of Xigang religious festival in 2015 were selected to examine. The field study, participant observation, depth interview, textual analysis were used for data collection and analysis . And the triangulation method was to use to examine the four kinds of data. The results of quanshu investigation were as follows: The fifteen categories of quanshu were to differentiate. They were Chun-Tao crane quan (春桃鶴拳) series, Wu-Dang war quan (武當戰拳) series, Lohan-crane quan (羅漢鶴) and Lohan quan (羅漢拳) series, Kunhuasansi quan (綑花散寺拳) series, Great-ancestor quan (太祖拳) series, Lohan quan (羅漢拳) series, Flying-crane (飛鶴拳) quan series, Plum flower (梅花拳) quan series, Dharma quan (達尊拳), Wing Chun quan (詠春拳) series, Yongchun quan (永春拳) series, Golden Eagle quan (金鷹拳) series, self-created martial arts, contemporary martial arts, and other single quanshu. The criteria to distinguish the spreading way of quanshu were the characters of ＂self-members＂ and ＂support team members＂. The main type of quanshu diffusion was inherited from ＂major instructors＂, and it's related to the ＂Night Hall＂ culture (to train martial arts at night). After the accumulation of history, the content of quanshu in Xigang Song-Jiang Martial Troupes had developed its unique styles. It's closely related to local culture development and necessary to survey deeper the issues.