ABSTRACT

Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.

chapter 1|12 pages

Introduction

Notation and/as material culture

part I|52 pages

Epistemologies of notation

chapter 3|19 pages

Encyclopaedias and empty staves

Re-reading music in Hanne Darboven's Quartett ›88‹

chapter 4|15 pages

Scoring the listener

Notation and representation in acousmatic music

part II|44 pages

Notation and the body

part III|44 pages

Notation and social relations

chapter 9|15 pages

Mediating minstrelsy

Notating instrumental identity in fourteenth-century song

chapter 10|14 pages

Inscription, gesture, and social relations

Notation in Karnatak music

part IV|55 pages

Notation, instruments, and technology

chapter 11|15 pages

Digital scores, algorithmic agents, and encoded ontologies

On the objects of musical computation

chapter 12|11 pages

Perforating the subject

The player piano rolls of Conlon Nancarrow

chapter 13|15 pages

Material bias

David Tudor's realisations

chapter 14|13 pages

‘I Feel Love’

Music mutation in the electronic age