SL-Bots: Automated and Autonomous Performance Art in Second Life

SL-Bots: Automated and Autonomous Performance Art in Second Life

Jeremy Owen Turner, Michael Nixon, Jim Bizzocchi
Copyright: © 2015 |Pages: 27
ISBN13: 9781466683846|ISBN10: 1466683848|EISBN13: 9781466683853
DOI: 10.4018/978-1-4666-8384-6.ch012
Cite Chapter Cite Chapter

MLA

Turner, Jeremy Owen, et al. "SL-Bots: Automated and Autonomous Performance Art in Second Life." New Opportunities for Artistic Practice in Virtual Worlds, edited by Denise Doyle, IGI Global, 2015, pp. 263-289. https://doi.org/10.4018/978-1-4666-8384-6.ch012

APA

Turner, J. O., Nixon, M., & Bizzocchi, J. (2015). SL-Bots: Automated and Autonomous Performance Art in Second Life. In D. Doyle (Ed.), New Opportunities for Artistic Practice in Virtual Worlds (pp. 263-289). IGI Global. https://doi.org/10.4018/978-1-4666-8384-6.ch012

Chicago

Turner, Jeremy Owen, Michael Nixon, and Jim Bizzocchi. "SL-Bots: Automated and Autonomous Performance Art in Second Life." In New Opportunities for Artistic Practice in Virtual Worlds, edited by Denise Doyle, 263-289. Hershey, PA: IGI Global, 2015. https://doi.org/10.4018/978-1-4666-8384-6.ch012

Export Reference

Mendeley
Favorite

Abstract

This chapter explores the history, state-of-the art, and interactive aesthetic potential of “SL-Bots”. SL-Bots are avatars (i.e. “agents”) that are designed and controlled using Artificial Intelligence (AI) in Second Life. Many of these SL-Bots were originally created in Second Life for purposes such as: rudimentary chatinventory management and copying, asset curation, embodied customer service, generic responsive environments, scripted objects, or as proxy-audience members (aka “campers”). However, virtual performance and installation artists – including two of the chapter's authors [ca. 2011-present] - have created their own SL-Bots for aesthetic purposes. This chapter suggests ways in which SL-Bots are gradually being extended beyond their conventional applications as avatar-placeholders. This book chapter concludes with the speculation that future virtual agents (including next generation SL-Bots) might one day transcend their teleological aesthetic purpose as mere automated-objects by evolving into more complex autonomous aesthetic personas.

Request Access

You do not own this content. Please login to recommend this title to your institution's librarian or purchase it from the IGI Global bookstore.