Faculty of Philosophy, Moscow State University named after M.V. Lomonosov, Moscow, Russia, svetpolyakova@gmail.com
The article examines the post-industrial landscape of urban outskirts («non-site») and the art focusing on it as a single space of semiosis. Analysis of the local history of the unusual reception of the exhibition «Russian Nowhere» (2021) by contemporary artist Pavel Otdelnov as a microsemiotic system enabled the author to explicate a number of universal patterns of the existence of the semiosphere of the modern Russian culture.
cultural landscape; art; Pavel Otdelnov, Semiosis; cultural code; post-Soviet industrial architecture; non-site
Download textFor citing: Polyakova S.V. (2022). Russian Nowhere as a space of semiosis: towards the history of one exhibition. Human being: Image and essence. Humanitarian aspects. Moscow: INION RAN. Vol. 1(49): Semiosphere: spacial aspects. To the 100th anniversary of Yu.M. Lotman, pp. 146-164 DOI: 10.31249/chel/2022.01.08