동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계

@article{ART001635265},
author={ 박인찬 },
title={동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계},
journal={새한영어영문학},
issn={1598-7124},
year={2012},
volume={54},
number={1},
pages={39-64},
doi={10.25151/nkje.2012.54.1.003},
url={http://dx.doi.org/10.25151/nkje.2012.54.1.003}

TY - JOUR
AU - 박인찬
TI - 동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계
T2 - 새한영어영문학
PY - 2012
VL - 54
IS - 1
PB - 새한영어영문학회
SP - 39-64
SN - 1598-7124
AB - This paper aims to explore the problematics of transcultural communication through a study of Drabble’s The Red Queen. Enthralled by Lady Hyegyong’s memoirs, Drabble appoints herself as a writer of “a fifth memoir,” declaring it a transcultural work demonstrating that there should be universal and essential values against muticultural tolerance and postmodern relativism. As this study argues, however, Drabble’s approach is very problematic. Her reconstruction repeats the liberal humanist feminism. Drabble’s Hyegyong is a female champion of individual subject who never loses the universal, unique, and essential self. Drabble’s transculturalism gives priority to the universal that goes beyond the particular of different cultures. For her, culture is something contingent to be avoided for a universal whole. This assumption permeates the way she represents Korea. Drabble’s Korea falls prey to easy generalization and tourist sightseeing. As in the episode of adoption, Drabble’s cosmopolitanism reproduces the imperial views of the West toward the East, in which the East is seen as the other, as objects of patronizing, benevolence, and redemption, by the West.
KW - transcultural, cultural translation, cosmopolitanism, imperial, globalization, cultural communication, liberal feminism, tourist view
DO - 10.25151/nkje.2012.54.1.003
UR - http://dx.doi.org/10.25151/nkje.2012.54.1.003
ER -

박인찬 (2012). 동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계. 새한영어영문학, 54( 1), 39- 64.

박인찬 . 2012, “동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계”, 새한영어영문학, vol. 54, no. 1, pp. 39-64. Available from: doi:10.25151/nkje.2012.54.1.003

박인찬 “동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계” 새한영어영문학 54.1 pp. 39-64 (2012): 39.

박인찬 . 동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계 새한영어영문학 [Internet]. 2012; 54( 1), : 39-64. Available from: doi:10.25151/nkje.2012.54.1.003

박인찬 . “동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계” 새한영어영문학 54, no.1 (2012): 39-64. doi: 10.25151/nkje.2012.54.1.003

홈 권호 목록 논문 목록 논문 상세

동양과 서양 사이: 『한중록』, 『붉은 왕세자빈』, 초문화적 문화소통의 한계

새한영어영문학

약어 : NKJE

2012, vol.54, no.1, pp.39 - 64

DOI : 10.25151/nkje.2012.54.1.003

발행기관 : 새한영어영문학회

연구분야 : 영어와문학

박인찬¹

¹숙명여자대학교

인용한 논문 수 : - 서지 간략 보기

초록

This paper aims to explore the problematics of transcultural communication through a study of Drabble’s The Red Queen. Enthralled by Lady Hyegyong’s memoirs, Drabble appoints herself as a writer of “a fifth memoir,” declaring it a transcultural work demonstrating that there should be universal and essential values against muticultural tolerance and postmodern relativism. As this study argues, however, Drabble’s approach is very problematic. Her reconstruction repeats the liberal humanist feminism. Drabble’s Hyegyong is a female champion of individual subject who never loses the universal, unique, and essential self. Drabble’s transculturalism gives priority to the universal that goes beyond the particular of different cultures. For her, culture is something contingent to be avoided for a universal whole. This assumption permeates the way she represents Korea. Drabble’s Korea falls prey to easy generalization and tourist sightseeing. As in the episode of adoption, Drabble’s cosmopolitanism reproduces the imperial views of the West toward the East, in which the East is seen as the other, as objects of patronizing, benevolence, and redemption, by the West.

키워드

transcultural, cultural translation, cosmopolitanism, imperial, globalization, cultural communication, liberal feminism, tourist view

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