후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의

@article{ART002473338},
author={ 어수정 },
title={후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의},
journal={한국무용교육학회지},
issn={1229-3547},
year={2019},
volume={30},
number={2},
pages={89-119},
doi={10.23022/kdes.2019.30.2.89},
url={http://dx.doi.org/10.23022/kdes.2019.30.2.89}

TY - JOUR
AU - 어수정
TI - 후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의
T2 - 한국무용교육학회지
PY - 2019
VL - 30
IS - 2
PB - 한국무용교육학회
SP - 89-119
SN - 1229-3547
AB - In today’s modern society, space no longer refers to an objective, infinite and empty space but is an object experienced based on concrete behavior and exchange, and the perspective has changed as a relational space which is contextualized with the connotation of dynamics and sustainability. This study intended to expand the limited perspective of theater dance and call public attention to the meaning and value of the stage space, by considering the modern space as a potential image space and an interpretable text space whose meaning is constantly produced by people, and by approaching this meaning through reflecting onto the stage space. This study aims to have a new understanding of the meaning of a modern space from the perspective of arts of dancing and clarify the artistic meaning of dance images represented in the process of performing it on the stage, by not only paying attention to the concept of heterotopia as a counter-space told by Michel Foucault as a space discourse of post-structuralism as well as the concept of space production supported by Henri Lefèbvre viewing the space as a dynamic space with constant appearance and disappearance and a reflection of social relationship, but also by applying them to the works. The arts of dancing has been changing its expression method according to the change of time, opinion of artist and public taste. Today, it is required to study regarding the way of realizing works of dance as a base of constant reproduction and re-creation, reconsider the meaning of stage space where the audience meet the works of dance, and find the multidirectional approach way to express space in the works of dance.This study intended to understand the significance of stage space as an infinite potential space and find the artistic meaning of dance images leading the changes in the stage expression space based on the space concept of post-structuralism. The dance images expressed in the work creates a space through the expansion of movement in the process of combining with stage expression elements and the movement is created again in the expanded space. This is considered the changes of stage space concept as a relational space with mutual circulation. Furthermore, it is expected that the creative act of dance images expressed by the movement will make the stage space sustainable as a space producing incessant meanings and values, away from the limited conventional perspective of stage space.
KW - 헤테로토피아, 공간의생산, 무대공간, 춤이미지
DO - 10.23022/kdes.2019.30.2.89
UR - http://dx.doi.org/10.23022/kdes.2019.30.2.89
ER -

어수정 (2019). 후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의. 한국무용교육학회지, 30( 2), 89- 119.

어수정 . 2019, “후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의”, 한국무용교육학회지, vol. 30, no. 2, pp. 89-119. Available from: doi:10.23022/kdes.2019.30.2.89

어수정 “후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의” 한국무용교육학회지 30.2 pp. 89-119 (2019): 89.

어수정 . 후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의 한국무용교육학회지 [Internet]. 2019; 30( 2), : 89-119. Available from: doi:10.23022/kdes.2019.30.2.89

어수정 . “후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의” 한국무용교육학회지 30, no.2 (2019): 89-119. doi: 10.23022/kdes.2019.30.2.89

홈 권호 목록 논문 목록 논문 상세

후기 구조주의 관점에서 바라본 무용예술 공간의 변화와 춤 이미지의 의의

한국무용교육학회지

약어 : 교육학회지

2019, vol.30, no.2, pp.89 - 119

DOI : 10.23022/kdes.2019.30.2.89

발행기관 : 한국무용교육학회

연구분야 : 무용

어수정¹

¹이화여자대학교

인용한 논문 수 : - 서지 간략 보기

초록

In today’s modern society, space no longer refers to an objective, infinite and empty space but is an object experienced based on concrete behavior and exchange, and the perspective has changed as a relational space which is contextualized with the connotation of dynamics and sustainability. This study intended to expand the limited perspective of theater dance and call public attention to the meaning and value of the stage space, by considering the modern space as a potential image space and an interpretable text space whose meaning is constantly produced by people, and by approaching this meaning through reflecting onto the stage space. This study aims to have a new understanding of the meaning of a modern space from the perspective of arts of dancing and clarify the artistic meaning of dance images represented in the process of performing it on the stage, by not only paying attention to the concept of heterotopia as a counter-space told by Michel Foucault as a space discourse of post-structuralism as well as the concept of space production supported by Henri Lefèbvre viewing the space as a dynamic space with constant appearance and disappearance and a reflection of social relationship, but also by applying them to the works. The arts of dancing has been changing its expression method according to the change of time, opinion of artist and public taste. Today, it is required to study regarding the way of realizing works of dance as a base of constant reproduction and re-creation, reconsider the meaning of stage space where the audience meet the works of dance, and find the multidirectional approach way to express space in the works of dance.This study intended to understand the significance of stage space as an infinite potential space and find the artistic meaning of dance images leading the changes in the stage expression space based on the space concept of post-structuralism. The dance images expressed in the work creates a space through the expansion of movement in the process of combining with stage expression elements and the movement is created again in the expanded space. This is considered the changes of stage space concept as a relational space with mutual circulation. Furthermore, it is expected that the creative act of dance images expressed by the movement will make the stage space sustainable as a space producing incessant meanings and values, away from the limited conventional perspective of stage space.

키워드

헤테로토피아, 공간의생산, 무대공간, 춤이미지

참고문헌(25)

[학술지] 김말복 / 2016 / 푸코(M. Foucault)와 포사이드(W. Forsythe)의 ‘헤테로토피아’ 논의 / 무용예술학연구 59 (2) : 21 ~ 36
[학위논문] 김성수 / 2012 / 들뢰즈의 이접적 종합에 의한 현대 도시 건축에 대한 연구 : 단절과 연결 그리고 소통, 사회적 결합을 위한 도시주거 제안
[단행본] 김용수 / 2017 / 연극 공간의 이론과 생산 / 연극과 인간
[학술지] 김종기 / 2015 / 니콜라 부리오의 관계 미학과 관계 미술 - 이해와 비판을 위한 시도 / 美學(미학) 81 (1) : 155 ~ 193
[학위논문] 손성희 / 2013 / 피터 아이젠만 건축 작품의 조형적 특성을 응용한 현대 패션 디자인 연구
[단행본] 신승원 / 2016 / 앙리 르페브르 / 커뮤니케이션북스
[학술지] 신혜경 / 2013 / 아니쉬 카푸어(Anish Kapoor),양립 불가능한 세계와 환영의 공간 / 미술사학보 (41) : 247 ~ 267
[단행본] 심은록 / 2013 / 세계에서 가장 비싼 작가: 무엇이 그들을 그토록 특별하게 만드는가 / 아트북스
[학술지] 윤대성 / 2018 / 국립현대미술관을 찾은 안느 테레사 드 키어스매커 / 댄스포럼 5 : 70 ~ 75
[학술지] 이선형 / 2014 / <헤테로토피아>의 탈경계성 / 드라마 연구 (44) : 63 ~ 89
[학위논문] 이소연 / 2005 / 공간의 불확정적 개념을 적용한 복합 문화 공간 계획 : 책거리 그림에 나타난 공간적 특성을 중심으로
[학위논문] 이지선 / 2010 / 디지털 영상매체 시대 춤의 환영성에 관한 고찰
[학위논문] 장지원 / 2005 / 즉흥을 사용한 무용실험그룹들의 특성연구
[학술지] 허경 / 2011 / 미셸 푸코의 ‘헤테로토피아’ - 초기 공간 개념에 대한 비판적 검토 / 도시인문학연구 3 (2) : 233 ~ 267
[단행본] Cran, M. / 2013 / 공간적 사유 / 에코리브르
[단행본] Döring, J. / 2015 / 공간적 전회: 문화학과 사회과학의 공간 패러다임 / 심산출판사
[단행본] Foucault, M. / 2012 / 말과 사물 / 민음사
[단행본] Foucault, M. / 2014 / 헤테로토피아 / 문학과 지성사
[단행본] Lefèbvre, H. / 2011 / 공간의 생산 / 에코리브르
[단행본] Lefèbvre, H. / 2013 / 리듬분석–공간, 시간, 그리고 도시의 일상생활 / 갈무리
[단행본] Massey, D. / 2015 / 공간, 장소, 젠더 / 서울대학교 출판문화원
[단행본] Massey, D. / 2016 / 공간을 위하여 / 심산
[단행본] Venturi, R. / 1992 / Complexity and Contradiction in Architecture / The Museum of Modern Art
[단행본] Walker, J. A. / 1988 / 대중매체 시대의 예술 / 열화당
[단행본] Wright, E. O. / 2010 / 리얼 유토피아: 좋은 사회를 향한 진지한 대화 / 들녘