제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로

@article{ART002118075},
author={ 이지은 },
title={제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로},
journal={탈경계인문학Trans-Humanities},
issn={2092-6081},
year={2016},
volume={9},
number={2},
pages={5-35},
doi={10.22901/trans.2016.9.2.5},
url={http://dx.doi.org/10.22901/trans.2016.9.2.5}

TY - JOUR
AU - 이지은
TI - 제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로
T2 - 탈경계인문학Trans-Humanities
PY - 2016
VL - 9
IS - 2
PB - 이화여자대학교 이화인문과학원
SP - 5-35
SN - 2092-6081
AB - Lee Hyo Seok wrote “Yeo Su” (여수) as the novelization of Julien Duvivier’s film, Pépé le Moko, which is translated into Nostalgia (망향) under the Japanese Empire. For the most part, Korea under Japanese rule accepted Western literature and movies through Japan. Therefore, Western cultural products that arrived in colonial Chosun are a reflection of the two kinds of empires. The main character of Pépé le Moko, Pépé, is captivated by Gaby. Here, Gaby represents the modern city Paris, and this is the reason Pépé became disillusioned with Casbah, which gave him shelter. That means he suffers from nostalgia for a modern nation (or city), and Japan replaces Pépé ’ s nostalgia with homesickness. It’s only possible to empathize with a modern nation. Because modernity is not completed in the colonial Chosun, however, modernity occasionally is understood as a consequence of the colonization. In this context, the study focuses on the mutual negotiation of literature and film on the path of cultural acceptance in the colonial era of Chosun. In contrast to the pursuit of Eurocentric identity revealed in the film, Lee strove to create characters who were excluded from the severe competition among empires. As a result, the narrator of “Yeo Su” identifies himself as a traveler because he projects himself onto stateless people. As well, the nostalgia of the empires is switched to traveller’s melancholy.
KW - Lee Hyo-Seok, Yeo Su, Pépé le Moko, nostalgia, translation, orientalism, modernity
DO - 10.22901/trans.2016.9.2.5
UR - http://dx.doi.org/10.22901/trans.2016.9.2.5
ER -

이지은 (2016). 제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로. 탈경계인문학Trans-Humanities, 9( 2), 5- 35.

이지은 . 2016, “제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로”, 탈경계인문학Trans-Humanities, vol. 9, no. 2, pp. 5-35. Available from: doi:10.22901/trans.2016.9.2.5

이지은 “제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로” 탈경계인문학Trans-Humanities 9.2 pp. 5-35 (2016): 5.

이지은 . 제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로 탈경계인문학Trans-Humanities [Internet]. 2016; 9( 2), : 5-35. Available from: doi:10.22901/trans.2016.9.2.5

이지은 . “제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로” 탈경계인문학Trans-Humanities 9, no.2 (2016): 5-35. doi: 10.22901/trans.2016.9.2.5

홈 권호 목록 논문 목록 논문 상세

제국의 노스텔지아와 식민지의 여수(旅愁): Pépé le Moko(1937), <望鄕>(1939)과 「여수」(1939)를 중심으로

탈경계인문학Trans-Humanities

약어 : -

2016, vol.9, no.2, pp.5 - 35

DOI : 10.22901/trans.2016.9.2.5

발행기관 : 이화여자대학교 이화인문과학원

연구분야 : 기타인문학

이지은¹

¹이화여자대학교

인용한 논문 수 : 1 서지 간략 보기

초록

Lee Hyo Seok wrote “Yeo Su” (여수) as the novelization of Julien Duvivier’s film, Pépé le Moko, which is translated into Nostalgia (망향) under the Japanese Empire. For the most part, Korea under Japanese rule accepted Western literature and movies through Japan. Therefore, Western cultural products that arrived in colonial Chosun are a reflection of the two kinds of empires. The main character of Pépé le Moko, Pépé, is captivated by Gaby. Here, Gaby represents the modern city Paris, and this is the reason Pépé became disillusioned with Casbah, which gave him shelter. That means he suffers from nostalgia for a modern nation (or city), and Japan replaces Pépé ’ s nostalgia with homesickness. It’s only possible to empathize with a modern nation. Because modernity is not completed in the colonial Chosun, however, modernity occasionally is understood as a consequence of the colonization. In this context, the study focuses on the mutual negotiation of literature and film on the path of cultural acceptance in the colonial era of Chosun. In contrast to the pursuit of Eurocentric identity revealed in the film, Lee strove to create characters who were excluded from the severe competition among empires. As a result, the narrator of “Yeo Su” identifies himself as a traveler because he projects himself onto stateless people. As well, the nostalgia of the empires is switched to traveller’s melancholy.

키워드

Lee Hyo-Seok, Yeo Su, Pépé le Moko, nostalgia, translation, orientalism, modernity

참고문헌(26)

[단행본] Bang, Min-Ho / 2011 / Discussion and Text in the Late Japanese Imperialism / Ye-ok : 181 ~ 212
[기타] Bokyou / 1939 / Advertisement / 読売新聞
[기타] Bokyou / 1939 / Advertisement / 読売新聞
[기타] Bokyou / 1939 / Advertisement / 読売新聞
[학술지] 전우형 / 2013 / 이효석 소설의 할리우드 표상과유럽 영화라는 상상의 공동체 / 대중서사연구 (30) : 469 ~ 504
[기타] Choi, Jae-Seo / 1936 / Expansion and Deepening of Realism / The Chosun Ilbo
[기타] / 1939 / Manghyang Becomes a Hit / The Chosun Ilbo
[학술지] 홍종욱 / 2009 / 1930년대 『동아일보』의 국제정세인식－사회주의 및 전체주의 관련 기사를 중심으로－ / 한국민족운동사연구 (58) : 73 ~ 116
[학술지] Hyun, Kyung-Jun / 1939 / Pépé le Moko’s Lessons / Jokwang 5 (4) : 320 ~ 321
[단행본] Kim, Ho-Young / 2003 / Understanding of French Films / Yeongeukgwa Ingan
[학술지] Lee, Heon-Gu / 1939 / French Style Movies / Discourse in Humanities 2 : 68 ~ 73
[단행본] Lee, Hyo-Seok / 1939 / Pollen / Inmunsa
[단행본] Lee, Hyo-Seok / 1941 / The Infinite Blue Sky / Bakmunseogwoan
[단행본] Lee, Hyo-Seok / 2003 / The Complete Works of Lee Hyo Seok / Changmisa : 298 ~ 348
[단행본] Lee, Hyo-Seok / 2003 / The Complete Works of Lee Hyo Seok / Changmisa : 281 ~ 284
[학술지] 이송이 / 2010 / 경계와 탈경계의 해항도시 알제 Alger - 사랑, 기마행진 L'Amour, la fantasia, 거처에 있는 알제의 여인들 Femmes d'Alger dans leur appartement에 나타난 도시 이미지 분석 / 한국프랑스학논집 72 : 523 ~ 544
[학술지] / 1938 / 望鄕 PEPE LE MOLO / 삼천리 4 (1) : 95 ~ 97
[학술지] Oh, Hyun Sook / 2008 / Colonial Chosun and Imaginative Geography of the Labyrinth in Korean Novels of the Late 1930s / 구보학보 4 : 183 ~ 214
[기타] / 1937 / Pépé le Moko. Dir. Julien Duvivier. Perf. Jean Cabin and Mireille Balin.Paris Film
[단행본] Said, Edward / 2009 / Orientalism / 교보문고
[단행본] Thompson / 2000 / Film History / 시각과 언어
[기타] Yu, Jin-O / 1940 / Hwasangbo / 동아일보
[기타] / 1937 / Pépé le Moko. Dir. Julien Duvivier. Perf. Jean Cabin and Mireille Balin. Paris Film
[기타] / “Pépé le Moko.” Unifrance. Unifrance
[기타] Bokyou / 1939 / Advertisement / 読売新聞
[기타] Bokyou / 1939 / Advertisement / 読売新聞