Genevieve Naylor, a Good Neighbor Photographer in Brazil (1941-42)

Autores

  • Ana Maria Mauad

DOI:

https://doi.org/10.19177/rcc.v12e22017181-208

Palavras-chave:

Photography. Good neighbour policy. Visual culture. Second World War.

Resumo

This article analyses historically the photographs taken by Genevieve Naylor, an American photographer commissioned by US State Department during the Second World War, when she travelled throughout Brazil, as a good neighbour photographer. In this sense, it is considered the elements of the form of expression and the content of the photographic message, emphasizing the three aspects of visual cultural strategies: firstly, the way in whichthe human subjects are depicted, understanding the representations of the body as support for social relationships. The body represented in Naylor’s photographs is the sign through which social relationships are revealed; secondly, how the places where Naylor travelled were depicted in the creation of a sensitive geography seeking to overcome the official protocols to show a multiple Brazil; fallowed by an evaluation of how her images were publicized throughout cross country exhibitions.

Biografia do Autor

  • Ana Maria Mauad
    Professora do Departamento de História da UFF, Pesquisadora do CNPq, Cientista do Nosso Estado FAPERJ 2016-2019. Esse trabalho foi desenvolvido no âmbito dos projetos “Fotografia Pública: usos, funções e circuitos sociais no Brasil dos séculos XIX e XX” (CNPq 2015-2019) e “Fotografia e seus públicos no Brasil dos séculos XIX e XX” (FAPERJ 2016-2019).

Publicado

2017-12-19

Edição

Seção

Dossiê: A Guerra