王世贞诗文观之转变论

@article{ART001466349},
author={ 박균우 },
title={王世贞诗文观之转变论 },
journal={중국연구},
issn={1225-8695},
year={2010},
volume={49},
pages={223-237},
doi={10.18077/chss.2010.49..011},
url={http://dx.doi.org/10.18077/chss.2010.49..011}

TY - JOUR
AU - 박균우
TI - 王世贞诗文观之转变论
T2 - 중국연구
PY - 2010
VL - 49
IS -
PB - 한국외국어대학교 중국연구소
SP - 223-237
SN - 1225-8695
AB - Wang Shi-zhen is one of the most known leaders of the Ming Dynasty in China due to his works contributing to the Seven Poetry School. Studies have shown that throughout Shi-Zhen’s career, he developed his style of writing from focusing on the language and presentation through restoration to focusing on content. This change in style, which is evident in the works of Shi-zhen, has been discussed repeatedly. In “Wang Shi-zhen Biography”（Ming of China history booksㆍBiography of Wang Shi- zhen), it was stated: “The holding of, the text will be Han, on Poetry, do not read the book after a large calendar. And too much embellishment.” In his final years, Shi-zhen resorted to writing in a mundane style due to the lack approval from his colleagues. Even physical risk couldn’t stop Shi-zhen from reading; he was still holding his book while he was gravely sick, when Liu Feng visited him. Although there were considerable amounts of studies on this important issue, through my own interpretations, I intended to participate in these studies of Shi-zhen’s literature, hoping to find a deeper understanding no yet discovered in previous studies. This essay is composed of Shi Zhen’s criticism of Li Panlong, criticism of Restoration and self-awareness, compromise of the poetry of ideas, the concept of the Su evaluate changes in thrall to the Buddhist view of his literary issues such as this discussion paper and finally a more focused discussion of the concept of change during the problem Shizhen poetry. The majority of this text is focused on the development of the literature style of Shi-Zhen’s poetry in his later years. A development that lasted for years, Wood, a Japanese analyst of Shi-zhen’s work claims that it was not only in the “occasion of illness.” that Shi-zhen’s work began developing. Wood’s research shows that at the age of fifty, Shi-zhen began changing the writing style used in his poetry. Shi-zhen passed away at the age of sixty five, which would give him a fifteen year developing period, however, I believe his developing period was more gradual, therefore, I suggest it began at the age of forty five, however truly intensified at the age of fifty. As a result, I believe Shi-zhen’s poetry had a gradual process of development.
KW - Restoration, View Poems and prose written in the classical literary style, Buddhism, Change
DO - 10.18077/chss.2010.49..011
UR - http://dx.doi.org/10.18077/chss.2010.49..011
ER -

박균우 (2010). 王世贞诗文观之转变论 . 중국연구, 49, 223- 237.

박균우 . 2010, “王世贞诗文观之转变论 ”, 중국연구, vol. 49, pp. 223-237. Available from: doi:10.18077/chss.2010.49..011

박균우 “王世贞诗文观之转变论 ” 중국연구 49 pp. 223-237 (2010): 223.

박균우 . 王世贞诗文观之转变论 중국연구 [Internet]. 2010; 49 : 223-237. Available from: doi:10.18077/chss.2010.49..011

박균우 . “王世贞诗文观之转变论 ” 중국연구 49 (2010): 223-237. doi: 10.18077/chss.2010.49..011

홈 권호 목록 논문 목록 논문 상세

王世贞诗文观之转变论

중국연구

약어 : -

2010, vol.49, pp.223 - 237

DOI : 10.18077/chss.2010.49..011

발행기관 : 한국외국어대학교 중국연구소

연구분야 : 중국어와문학

박균우¹

¹상지대학교

인용한 논문 수 : 1 서지 간략 보기

초록

Wang Shi-zhen is one of the most known leaders of the Ming Dynasty in China due to his works contributing to the Seven Poetry School. Studies have shown that throughout Shi-Zhen’s career, he developed his style of writing from focusing on the language and presentation through restoration to focusing on content. This change in style, which is evident in the works of Shi-zhen, has been discussed repeatedly. In “Wang Shi-zhen Biography”（Ming of China history booksㆍBiography of Wang Shi- zhen), it was stated: “The holding of, the text will be Han, on Poetry, do not read the book after a large calendar. And too much embellishment.” In his final years, Shi-zhen resorted to writing in a mundane style due to the lack approval from his colleagues. Even physical risk couldn’t stop Shi-zhen from reading; he was still holding his book while he was gravely sick, when Liu Feng visited him. Although there were considerable amounts of studies on this important issue, through my own interpretations, I intended to participate in these studies of Shi-zhen’s literature, hoping to find a deeper understanding no yet discovered in previous studies. This essay is composed of Shi Zhen’s criticism of Li Panlong, criticism of Restoration and self-awareness, compromise of the poetry of ideas, the concept of the Su evaluate changes in thrall to the Buddhist view of his literary issues such as this discussion paper and finally a more focused discussion of the concept of change during the problem Shizhen poetry. The majority of this text is focused on the development of the literature style of Shi-Zhen’s poetry in his later years. A development that lasted for years, Wood, a Japanese analyst of Shi-zhen’s work claims that it was not only in the “occasion of illness.” that Shi-zhen’s work began developing. Wood’s research shows that at the age of fifty, Shi-zhen began changing the writing style used in his poetry. Shi-zhen passed away at the age of sixty five, which would give him a fifteen year developing period, however, I believe his developing period was more gradual, therefore, I suggest it began at the age of forty five, however truly intensified at the age of fifty. As a result, I believe Shi-zhen’s poetry had a gradual process of development.