Comic Book Adaptations of Shakespeare in Korea: History and Context

@article{ART002562015},
author={ 김강 },
title={Comic Book Adaptations of Shakespeare in Korea: History and Context},
journal={인문사회과학연구},
issn={1598-4230},
year={2020},
volume={63},
number={1},
pages={21-35},
doi={10.17939/hushss.2020.63.1.002},
url={http://dx.doi.org/10.17939/hushss.2020.63.1.002}

TY - JOUR
AU - 김강
TI - Comic Book Adaptations of Shakespeare in Korea: History and Context
T2 - 인문사회과학연구
PY - 2020
VL - 63
IS - 1
PB - 호남대학교 인문사회과학연구소
SP - 21-35
SN - 1598-4230
AB - The presence or introduction of Shakespeare into the condensed imaginary world of cartoons and comic books is a fairly recent phenomenon in Korea, compared to a somewhat long history of reception of Shakespeare on stage. Comics were commonly regarded to be a product of lowbrow subculture, and most Koreans took Shakespeare only as an iconic equivalent of the dramatic creation. In the 1960s and 70s, Korean comics became heavily influenced by an influx of the Japanese comics, or manga, and TV animation series including Iron Arm Atom and Candy. Today, many Korean comic books of Shakespearean adaptations are still under this influence. Unlike other Shakespearean comic books and mangas popular in the Western world, the Korean publishing market mostly targeting young children for their elite education is seen as a unique characteristic. This paper introduces a brief history of comic book adaptations of Shakespeare in Korea and examine the socio-cultural context in which these adaptations are commercially appropriated and educationally circulated
KW - Shakespeare, Korea, Comic Books, Glocalization, Cultural Studies, Manga, Youth Education
DO - 10.17939/hushss.2020.63.1.002
UR - http://dx.doi.org/10.17939/hushss.2020.63.1.002
ER -

김강 (2020). Comic Book Adaptations of Shakespeare in Korea: History and Context. 인문사회과학연구, 63( 1), 21- 35.

김강 . 2020, “Comic Book Adaptations of Shakespeare in Korea: History and Context”, 인문사회과학연구, vol. 63, no. 1, pp. 21-35. Available from: doi:10.17939/hushss.2020.63.1.002

김강 “Comic Book Adaptations of Shakespeare in Korea: History and Context” 인문사회과학연구 63.1 pp. 21-35 (2020): 21.

김강 . Comic Book Adaptations of Shakespeare in Korea: History and Context 인문사회과학연구 [Internet]. 2020; 63( 1), : 21-35. Available from: doi:10.17939/hushss.2020.63.1.002

김강 . “Comic Book Adaptations of Shakespeare in Korea: History and Context” 인문사회과학연구 63, no.1 (2020): 21-35. doi: 10.17939/hushss.2020.63.1.002

홈 권호 목록 논문 목록 논문 상세

Comic Book Adaptations of Shakespeare in Korea: History and Context

인문사회과학연구

약어 :

2020, vol.63, no.1, pp.21 - 35

DOI : 10.17939/hushss.2020.63.1.002

발행기관 : 호남대학교 인문사회과학연구소

연구분야 : 학제간연구

김강¹

¹호남대학교

인용한 논문 수 : 2 서지 간략 보기

초록

The presence or introduction of Shakespeare into the condensed imaginary world of cartoons and comic books is a fairly recent phenomenon in Korea, compared to a somewhat long history of reception of Shakespeare on stage. Comics were commonly regarded to be a product of lowbrow subculture, and most Koreans took Shakespeare only as an iconic equivalent of the dramatic creation. In the 1960s and 70s, Korean comics became heavily influenced by an influx of the Japanese comics, or manga, and TV animation series including Iron Arm Atom and Candy. Today, many Korean comic books of Shakespearean adaptations are still under this influence. Unlike other Shakespearean comic books and mangas popular in the Western world, the Korean publishing market mostly targeting young children for their elite education is seen as a unique characteristic. This paper introduces a brief history of comic book adaptations of Shakespeare in Korea and examine the socio-cultural context in which these adaptations are commercially appropriated and educationally circulated

키워드

Shakespeare, Korea, Comic Books, Glocalization, Cultural Studies, Manga, Youth Education

참고문헌(19)

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