詠史詩의 槪念과 작품의 實相

@article{ART001309985},
author={ 김영숙 },
title={詠史詩의 槪念과 작품의 實相},
journal={동방한문학},
issn={1226-668X},
year={2008},
number={37},
pages={11-54},
doi={10.17293/dbkcls.2008..37.11},
url={http://dx.doi.org/10.17293/dbkcls.2008..37.11}

TY - JOUR
AU - 김영숙
TI - 詠史詩의 槪念과 작품의 實相
T2 - 동방한문학
PY - 2008
VL -
IS - 37
PB - 동방한문학회
SP - 11-54
SN - 1226-668X
AB - In the Orient, 'Yeong-sa-si(詠史詩-Historical Poem)' was established with approaching Bango(班固)'s Yeong-sa(詠史)" in the Han Dynasty of China, and was recognized as a poem and one type in poetry with entering Sotong(蕭統)'s 「mun seun」(文選). A concept of 'Yeong-sa-si' implies a poem of reciting history. 'Yeong -sa-si' is clearly indicated the meaning of 'reciting history' in a word, thereby having not prescribed a special definition or concept from the beginning. On top of the universal concept, it is divided into several forms of sub-concept. It can be divided into Sa-jeon-hyeong(史傳型), which was loyal only to trans -mission of a historical fact, Yeong-hoe-hyeong(詠懷型), which emphasized a writer's affectionate remembrances, Sa-ron-hyeong(史論型), which centered on a writer's historical criticism, Ui-ron-hyeong(議論型), which focused on criticism and recitation in sentiments, Hoe-go-hyeong(懷古型), which con -centrated on looking back on history, and Akbu-si-hyeong(樂府詩型), which recited history from the perspective of a song. However, the actual state in each work is showing the composite feature that this character is partially overlapped, thereby being important to grasp the actual state in a work. Korean poets recited Chinese history similarly in a pome to which the word called 'Yeong-sa(詠史)' is attached, and attached special names such as 「Dong -myeong-wang-pyeon」(東明王篇), 「Yeong-dong-guk-go-sa」(詠東國故事), and 「Dok-yeo-sa-yu-gam」(讀麗史有感)as for what addressed our history. Yeong -sa-si embodies history poetically, thereby having limitation to which an individual's pure lyricism cannot help getting weak compared to general poem. Yeong-sa-si is poetically embodied together the expression on historical events and figures and a writer's thought about this, thereby having duality called 'history and poem.' This point is the character peculiar to Yeong-sa-si. Korea's typical works in Yeong-sa-si include Lee Gyu-bo's(李奎報) 「Dong -myeong-wang-pyeon」(東明王篇),LeeSeung-hyu's(李承休) 「Je-wang- un-gi」 (帝王韻紀), Yu Deuk-gong's(柳得恭) 「I-sip-il-do-hoe-go-si」(二十一都懷古詩), and 「Yeong-sa-ak-bu」(詠史樂府). These poems in Yeong-sa-si showed historical consciousness that tries to subjectively understand and positively analyze our history, and left works in different character from Yeong-sa-si in China. In the meantime, even many poems in the Korean alphabet were composed that sang our history, thus Korean Yeong-sa-si came to be reborn with new and diverse features.
KW - 詠史詩, 班固, 「詠史」, 蕭統, 「文選」, 「東明王篇」「讀麗史有感」, 李奎報, 李承休, 「帝王韻紀」, 柳得恭, 「二十一都懷古詩」, 詠史樂府
DO - 10.17293/dbkcls.2008..37.11
UR - http://dx.doi.org/10.17293/dbkcls.2008..37.11
ER -

김영숙 (2008). 詠史詩의 槪念과 작품의 實相. 동방한문학, 37, 11- 54.

김영숙 . 2008, “詠史詩의 槪念과 작품의 實相”, 동방한문학, no. 37, pp. 11-54. Available from: doi:10.17293/dbkcls.2008..37.11

김영숙 “詠史詩의 槪念과 작품의 實相” 동방한문학 37 pp. 11-54 (2008): 11.

김영숙 . 詠史詩의 槪念과 작품의 實相 동방한문학 [Internet]. 2008; 37: 11-54. Available from: doi:10.17293/dbkcls.2008..37.11

김영숙 . “詠史詩의 槪念과 작품의 實相” 동방한문학 no.37 (2008): 11-54. doi: 10.17293/dbkcls.2008..37.11

홈 권호 목록 논문 목록 논문 상세

詠史詩의 槪念과 작품의 實相

동방한문학

약어 : -

2008, no.37, pp.11 - 54

DOI : 10.17293/dbkcls.2008..37.11

발행기관 : 동방한문학회

연구분야 : 한국어와문학

김영숙¹

¹대구한의대학교

인용한 논문 수 : 14 서지 간략 보기

초록

In the Orient, 'Yeong-sa-si(詠史詩-Historical Poem)' was established with approaching Bango(班固)'s Yeong-sa(詠史)" in the Han Dynasty of China, and was recognized as a poem and one type in poetry with entering Sotong(蕭統)'s 「mun seun」(文選). A concept of 'Yeong-sa-si' implies a poem of reciting history. 'Yeong -sa-si' is clearly indicated the meaning of 'reciting history' in a word, thereby having not prescribed a special definition or concept from the beginning. On top of the universal concept, it is divided into several forms of sub-concept. It can be divided into Sa-jeon-hyeong(史傳型), which was loyal only to trans -mission of a historical fact, Yeong-hoe-hyeong(詠懷型), which emphasized a writer's affectionate remembrances, Sa-ron-hyeong(史論型), which centered on a writer's historical criticism, Ui-ron-hyeong(議論型), which focused on criticism and recitation in sentiments, Hoe-go-hyeong(懷古型), which con -centrated on looking back on history, and Akbu-si-hyeong(樂府詩型), which recited history from the perspective of a song. However, the actual state in each work is showing the composite feature that this character is partially overlapped, thereby being important to grasp the actual state in a work. Korean poets recited Chinese history similarly in a pome to which the word called 'Yeong-sa(詠史)' is attached, and attached special names such as 「Dong -myeong-wang-pyeon」(東明王篇), 「Yeong-dong-guk-go-sa」(詠東國故事), and 「Dok-yeo-sa-yu-gam」(讀麗史有感)as for what addressed our history. Yeong -sa-si embodies history poetically, thereby having limitation to which an individual's pure lyricism cannot help getting weak compared to general poem. Yeong-sa-si is poetically embodied together the expression on historical events and figures and a writer's thought about this, thereby having duality called 'history and poem.' This point is the character peculiar to Yeong-sa-si. Korea's typical works in Yeong-sa-si include Lee Gyu-bo's(李奎報) 「Dong -myeong-wang-pyeon」(東明王篇),LeeSeung-hyu's(李承休) 「Je-wang- un-gi」 (帝王韻紀), Yu Deuk-gong's(柳得恭) 「I-sip-il-do-hoe-go-si」(二十一都懷古詩), and 「Yeong-sa-ak-bu」(詠史樂府). These poems in Yeong-sa-si showed historical consciousness that tries to subjectively understand and positively analyze our history, and left works in different character from Yeong-sa-si in China. In the meantime, even many poems in the Korean alphabet were composed that sang our history, thus Korean Yeong-sa-si came to be reborn with new and diverse features.