The new perspectives towards bodies since 1960s based on the trio of Phenomenology, Psychoanalysis, Cognitive Science, generally show the deconstruction of Cartesian mind/body dichotomy and new concept of inter-subjectivity. The body-artists in 1960s-70s used their bodies as raw materials, the sites of the inscription of cultural meaning. But the new media artists in 1990s approached to a concept of 'extended body' or 'bodies in code' which are submitted to and constituted by an unavoidable and empowering technical deterritorialization - bodies whose embodiments are realized , and can only be realized, in conjunction with technics.
In this essay, I studied first, (Re)Mediated bodies through Sterlac's 'Cyborg Performance' and Paul Sermon's 'Virtual Body'. Sterlac has developed his own way that can make his body combine with technology(machine) and function in electronic world efficiently. Paul Sermon's work tells us that digital communication by virtual bodies is not disembodied, rather opens to experiences of embodied senses and tactilities.
The encounter of body and technology has expressed and explored from the beginning of new media art. New media arts which have used digital technology with the context of human senses, have focused a relationship of sight and tactility. In this figuration, we can get to Merleau-Ponty's phenomenological existence, that is, primary tactility or infra-tactility comprise a kind of primitive or not yet differentiated, virtual, or potential reversibility out of which arises not simply the division of the senses, but more fundamentally, the divisions that comprise sensation per se. I examined the concept of 'Inter(sur))face' for validating of touch as a way of communication, of the phenomenological approach to the sight and tactility, and of the possible encounter with Others by skin. New media works like <Liquid View>(1993, Monika Fleisxhmann and Wolfgang Strauss) and Thecla Schiphorst's <Bodymaps: Artifacts of touch>(1996) in this essay, will be good examples for explaining concepts of sight/tactility, image/body, real/virtual, and digital technology, touch, skin-ego etc.
KCI 등재
뉴미디어 아트에서의 신체성: 촉각성을 중심으로
Tactility of Body in New Media Art
미술사학보
약어 : -
2009 no.33, pp.359 - 388
DOI : 10.15819/rah.2009..33.359
발행기관 : 미술사학연구회
연구분야 : 미술
Copyright © 미술사학연구회
약어 : -
2009 no.33, pp.359 - 388
DOI : 10.15819/rah.2009..33.359
발행기관 : 미술사학연구회
연구분야 : 미술
Copyright © 미술사학연구회
신체성, 뉴미디어, (재)매개, 가상현실, 햅틱, 인터페이스, 피부자아
body, new media, (re)mediation, virtual reality, haptic, interface, skin ego
body, new media, (re)mediation, virtual reality, haptic, interface, skin ego
- 1. [단행본] 고드프리, 토니 / 2002 / 개념미술 / 한길아트
- 2. [학위논문] 김지혜 / 2008 / 루스 이리가라이(Luce Irigaray)의 촉각성에 근거한 시각의 재개념화
- 3. [단행본] 랭어, 모니카 / 1989 / 메를로-퐁티의 지각의 현상학 / 청하
- 4. [단행본] 메를로-퐁티, 모리스 / 2002 / 지각의 현상학 / 문학과 지성사
- 5. [단행본] 앙지외, 디디에 / 2008 / 피부자아 / 인간희극
- 6. [단행본] 조광제 / 2004 / 몸의 세계, 세계의 몸, 메를로-퐁티의 지각의 현상학에 대한 강해 / 이학사
- 7. [인터넷자료] / Agnes Hegedus: Handsight" (1992)
- 8. [단행본] Benthien, Claudia / 1999 / Skin: On the Cultural Border Between Self and the World / Columbia University Press
- 9. [단행본] Bolter, Jay David / 2000 / Remediation: Understanding New Medi / MIT Press
- 10. [학술지] Boothroyd, David / Touch, Time and Technics, Levinas and the Ethics of Haptic Communication / Theory, Culture & Society / 26 (2) : 330 ~ 2
- 11. [단행본] Dixon, Steve / 2007 / Digital Performance, A History of New Media in Theater, Dance, Performance Art, and Installation / The MIT Press
- 12. [단행본] Finberg, Jonthan / 1995 / Art since1940, The strategies of Being / Harry N.Abrams
- 13. [단행본] Gómez-Peňa,, Guillermo / 2000 / Dangerous Border Crossing: The Artist Talks Back / Routledge
- 14. [단행본] Halbreich, Kathy / 1994 / Bruce Nauman, Walker Art Center / Minnealpolis Distributed Art Publishers
- 15. [단행본] Hansen, Mark B.N. / 2006 / Bodies in Code, Interface with Digital Media / Routledge
- 16. [인터넷자료] Hegedus, Agnes / Handsight
- 17. [단행본] Huhtamo, Erkki / 2007 / Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity and Tactility, in MediaArtHistory / MIT Press : 71 ~
- 18. [단행본] Jones, Amelia / 1998 / Body Art / Performing the Subject / University of Minnesota Press
- 19. [단행본] Jones, Amelia / 1999 / Performing the Body / Performing the Text / Routledge
- 20. [학술지] Kozel, Susan / 1994 / Spacemaking: Experience of a Virtual Body / Dance Theatre Journal / 11 (3)
- 21. [학술지] Morris, Robert / 1993 / Writing with Davidson: Some Afterthought After Doing Blind Time IV: drawing with Davison / Critical Inquiry / 19
- 22. [단행본] Paice, Kimberly / 1994 / The Catalogue of Robert Morris, Robert Morris: The Mind/Body Problem, in Guggenheim Museum Exhibition Catalogue
- 23. [인터넷자료] Schiphorst, Thecla / Bodymaps: Artifacts of Touch: The Sensuality and Ararchy of Touch / Dance & Technology Zone
- 24. [학술지] Shaw, Jeffrey / 1995 / The Dis-Embodied Re-Embodied Body", Published in: Kunstforum. Die Zukunft des Kšrpers I / Die Zukunft des Kšrpers I / 132 : 168 ~
- 25. [단행본] Smith, Marquard / 2005 / Stelarc, The Monograph / MIT Press
- 26. [학술지] Sterlac / Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies / Leonardo / 24 (5) : 389 ~ 5
- 27. [인터넷자료] Sterlac / ParaSite: Event for Invaded and Involuntary Body
- 28. [인터넷자료] Torre, Gabriel Robles-De-La / What is Haptics?, in Why is Haptics important? / 'The International Society for Haptics
- 29. [단행본] Turner, Bryan / 1998 / The Body and society: Exploration in Society Theory / Sage
- 30. [단행본] Vasseleu, Cathryn / 1998 / The Textures of Light: Vision and Touch in Irigaray, Levinas and Merleau-Ponty / Routledge
- 31. [단행본] Wegenstein, Bernadette / 2006 / Getting Under the Skin, The Body and Media Theory / MIT Press
타입을 선택하세요
뉴미디어 아트에서의 신체성: 촉각성을 중심으로
@article{ART001419046},
author={
전혜숙
},
title={
뉴미디어 아트에서의 신체성: 촉각성을 중심으로
},
journal={
미술사학보
},
issn={1598-1258},
year={2009},
pages={359 - 388},
doi={10.15819/rah.2009..33.359},
url={http://dx.doi.org/10.15819/rah.2009..33.359}
TY - JOUR
AU - 전혜숙
TI - 뉴미디어 아트에서의 신체성: 촉각성을 중심으로
T2 - 미술사학보
PY - 2009
IS - 33
PB - 미술사학연구회
SP - 359 - 388
SN - 1598-1258
AB - The new perspectives towards bodies since 1960s based on the trio of Phenomenology, Psychoanalysis, Cognitive Science, generally show the deconstruction of Cartesian mind/body dichotomy and new concept of inter-subjectivity. The body-artists in 1960s-70s used their bodies as raw materials, the sites of the inscription of cultural meaning. But the new media artists in 1990s approached to a concept of 'extended body' or 'bodies in code' which are submitted to and constituted by an unavoidable and empowering technical deterritorialization - bodies whose embodiments are realized , and can only be realized, in conjunction with technics.
In this essay, I studied first, (Re)Mediated bodies through Sterlac's 'Cyborg Performance' and Paul Sermon's 'Virtual Body'. Sterlac has developed his own way that can make his body combine with technology(machine) and function in electronic world efficiently. Paul Sermon's work tells us that digital communication by virtual bodies is not disembodied, rather opens to experiences of embodied senses and tactilities.
The encounter of body and technology has expressed and explored from the beginning of new media art. New media arts which have used digital technology with the context of human senses, have focused a relationship of sight and tactility. In this figuration, we can get to Merleau-Ponty's phenomenological existence, that is, primary tactility or infra-tactility comprise a kind of primitive or not yet differentiated, virtual, or potential reversibility out of which arises not simply the division of the senses, but more fundamentally, the divisions that comprise sensation per se. I examined the concept of 'Inter(sur))face' for validating of touch as a way of communication, of the phenomenological approach to the sight and tactility, and of the possible encounter with Others by skin. New media works like <Liquid View>(1993, Monika Fleisxhmann and Wolfgang Strauss) and Thecla Schiphorst's <Bodymaps: Artifacts of touch>(1996) in this essay, will be good examples for explaining concepts of sight/tactility, image/body, real/virtual, and digital technology, touch, skin-ego etc.
KW - 신체성, 뉴미디어, (재)매개, 가상현실, 햅틱, 인터페이스, 피부자아
DO - 10.15819/rah.2009..33.359
UR - http://dx.doi.org/10.15819/rah.2009..33.359
ER -
전혜숙 (2009). 뉴미디어 아트에서의 신체성: 촉각성을 중심으로. 미술사학보, 33, 359 - 388.
전혜숙 . 2009, “뉴미디어 아트에서의 신체성: 촉각성을 중심으로”, no.33, pp. 359 - 388. Available from: doi:10.15819/rah.2009..33.359
전혜숙. “뉴미디어 아트에서의 신체성: 촉각성을 중심으로“ 미술사학보 33 pp. 359 - 388. (2009): 359.
전혜숙 . 뉴미디어 아트에서의 신체성: 촉각성을 중심으로 미술사학보 [Internet]. 2009; 33, : 359 - 388. Available from: doi:10.15819/rah.2009..33.359
전혜숙 . “뉴미디어 아트에서의 신체성: 촉각성을 중심으로“ 미술사학보 no.33 (2009): 359 - 388. doi: :10.15819/rah.2009..33.359