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Licensed Unlicensed Requires Authentication Published by De Gruyter November 15, 2019

Alice O’Grady, ed. Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Basingstoke: Palgrave, 2017, xxiv + 264 pp., €89.99 (hardback), €74.96 (PDF ebook).

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From the journal Journal of Contemporary Drama in English
https://doi.org/10.1515/jcde-2019-0030

Reviewed Publication:

Alice O’Grady, ed. Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Basingstoke: Palgrave, 2017, xxiv + 264 pp., €89.99 (hardback), €74.96 (PDF ebook).

Published Online: 2019-11-15
Published in Print: 2019-11-07

© 2019 Walter de Gruyter GmbH, Berlin/Boston

From the journal
Journal of Contemporary Drama in English
Journal of Contemporary Drama in English
Volume 7 Issue 2

Journal and Issue

Articles in the same Issue

Frontmatter
Frontmatter
Articles
The Ethics of Participation and Participation Gone Wrong
Spoken Like a Gentleman: The Burden of the Voice in An Anonymous Woman’s MANWATCHING and Gary McNair’s Locker Room Talk
“There is No Proof”: Fermat’s Last Theorem and Historical Reconstruction in Tom Stoppard’s Arcadia
“Who Would Disagree that in a World of Trump and Putin and Boris Johnson ... Brecht Is Not the Theorist and Playwright of Our Times?”: Bertolt Brecht’s Influence on David Greig’s Work
The Blakean Imagination and the Land in Jez Butterworth’s Jerusalem
Wellesley Girl: Emotion, Democracy, and the Contemporary Dystopia
Catastrophic Futures: Tragic Children in Martin McDonagh’s The Pillowman
Approaches to Play Directing in Contemporary Nigerian Theatre: A Study of Segun Adefila and Bolanle Austen-Peters
Reviews
Eva Spambalg-Berend. Dramen der Abjektion: Der Umgang mit den “Mächten des Grauens” in den Theaterstücken Sarah Kanes. Trier: WVT, 2017, 273 pp., €29.90 (paperback).
Jaclyn I. Pryor. Time Slips: Queer Temporalities, Contemporary Performance, and the Hole of History. Evanston, IL: Northwestern University Press, 2017, xvi + 184 pp., $99.95 (hardback), $34.95 (paperback), $34.95 (PDF ebook).
Alice O’Grady, ed. Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Basingstoke: Palgrave, 2017, xxiv + 264 pp., €89.99 (hardback), €74.96 (PDF ebook).
Vera Cantoni. New Playwriting at Shakespeare’s Globe. London: Bloomsbury, 2018, iii + 238 pp., £67.50 (hardback), £64.80 (PDF ebook).
Joslin McKinney, and Scott Palmer, eds. Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury, 2017, xvii + 216 pp., £63.00 (hardback), £22.99 (paperback), £19.86 (PDF ebook). Thea Brejzek, and Lawrence Wallen.The Model as Performance: Staging Space in Theatre and Architecture. London: Bloomsbury, 2018, x + 188 pp., £67.50 (hardback), £20.69 (paperback), £64.80 (PDF ebook).
Michael Pearce. Black British Drama: A Transnational Story. London: Routledge, 2017, 228 pp., £110.00 (hardback), £29.99 (paperback), £24.99 (PDF ebook).
Trish Reid. The Theatre of Anthony Neilson. London: Bloomsbury, 2017, viii + 215 pp., £75.00 (hardback), £18.99 (paperback), £81.00 (PDF ebook).
David Palmer, ed. Visions of Tragedy in Modern American Drama. London: Bloomsbury, 2018, xxii + 250 pp., £65.00 (hardback), £13.99 (paperback), £11.87 (PDF ebook).
Adam Alston, and Martin Welton, eds. Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. London: Bloomsbury, 2017, xv + 283 pp., £75.00 (hardback), £81.00 (PDF ebook).
David Cameron, Rebecca Wotzko, and Michael Anderson. Drama and Digital Arts Cultures. London: Bloomsbury, 2017, vii + 332 pp., £67.50 (hardback), £64.80 (PDF ebook). Peter Eckersall, Helena Grehan, and Edward Scheer.New Media Dramaturgy: Performance, Media and New Materialism. Basingstoke: Palgrave, 2017, xi + 236 pp., €103.99 (hardback), €83.29 (PDF ebook).
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