Aggressive action, Oedipal inaction and incessant procrastination: The genre conventions of Hamlet | Intellect Skip to content
1981
Volume 5, Issue 3
  • ISSN: 1753-6421
  • E-ISSN: 1753-643X

Abstract

This article analyses and compares four screen adaptations of Shakespeare's Hamlet (1960) to Arnold Schwarzenegger's humorous portrayal in Last Action Hero by John McTiernan (1993) and discusses how aspects of the action genre permeate Hamlet adaptations. Focusing on the penultimate swordfight between Hamlet and Laertes - and the alternative methods used to adapt Shakespeare's play in each film - I relate the conventions and expectations of the action genre utilized in each film, from the casting of Mel Gibson in 1990, to Kenneth Branagh's swashbuckling portrayal. References to key films in the action genre, such as Die Hard (1988), are used to relate the common themes surrounding an 'Everyday' action figure triumphing over adversity and detailing how Hamlet differs from this by being a man of procrastination rather than decisive action.

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2012-12-01
2024-04-24
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