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  • A Well Regulated Militia: Citizen, Soldier, and State
  • Aaron Noble (bio)
A Well Regulated Militia: Citizen, Soldier, and State Fort Ticonderoga, Ticonderoga, NY Temporary exhibit, 05 2022 through 10 2023

Exhibit team: Dr. Matthew Keagle, Curator; T. J. Mullen, Exhibit Design and Fabrication; Miranda Peters, Vice President of Collections and Digital Production; Margaret Staudter, Director of Archaeology; Tabitha Hubbard, Collections Manager; Tyler Ostrander, Registrar

A Well Regulated Militia: Citizen, Soldier, and State is a temporary exhibit in the lower level of the Mars Education Center at Fort Ticonderoga. The exhibit, according to the museum's web description, "explores this often misunderstood institution from its formation in the colonial period through its decline in the early 19th century."1 The exhibit revolves around a small, yet impressive, sampling of Ticonderoga's vast collections of militaria and offers many items of interest for the devoted military history enthusiast. The content is thoroughly researched, and the artifacts are attractively displayed, confirming the Fort's adeptness at engaging visitors with historical material culture.

The exhibit offers visitors an examination of the militia's European antecedents, many of which were in decline at the same time the militia system was being formalized in the North American colonies, and notes how participation in the militia reinforced status within the existing social order and excluded people of color and Native Americans. A brief introductory video offers an overview of the establishment of militia systems in twelve of the colonies that would rebel against British rule in 1775 (only in Quaker Pennsylvania was militia service not codified), but the bulk of the exhibit focuses on the post-Revolutionary militia until the decline of compulsory militia service in the decades after the War of 1812. It is interesting that the exhibit makes scant mention of the challenges and deficiencies within the militia system that were experienced during the conflict with Britain from 1812 to 1815 and that constituted a significant factor in that decline. The exhibition is strongest in its exploration of the passage of the Militia Act of 1792, which codifies the American system of defense and the debates between Federalists and Anti-Federalists over control of the militia as a means of defining state power. The exhibit team also provides a strong overview of [End Page 236]


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Figure 1.

Title wall for "A Well Regulated Militia: Citizen, Soldier, and State" at the Deborah Clarke Mars Education Center, Fort Ticonderoga. photograph by author.


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Figure 2.

View of the exhibit hall showcasing Fort Ticonderoga's impressive collection of historical artifacts, including uniforms, small arms, and cannon. Located in the lower level of the Deborah Clarke Mars Education Center, Fort Ticonderoga. photograph by author.

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Figure 3.

Text panel for "A Well Regulated Militia." These text-heavy panels, while informative to those steeped in military history, can be daunting for visitors and may provide too much information to be digested. photograph by author.

the decline of the compulsory militia system in the nineteenth century in favor of volunteer companies. Here, the team could potentially have examined the growing disparity in militia development between urban versus rural communities as part of the broader social context of the period, and they might also have considered the use of the militia as a means of enforcing order and social control in the face of unrest.

A Well Regulated Militia is clearly targeted toward those military history enthusiasts who make the trek to the Champlain Valley to bask in Ticonderoga's material culture. The information is written and presented by and for those with an interest and background in military history rather than for those with a more generalized background. That said, the voluminous text panels may prove daunting to even the most committed visitors. With main text panels at more than 400-words each, the flood of information makes it challenging to fully absorb the exhibit's main themes.

This reviewer was left pondering a couple of decisions made within the gallery. First, it was a curious choice to title the exhibit with language from the politically fraught...

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