ABSTRACT
This article points to the subversion of gravity as one of the characteristics of the poetics of instability, a concept previously proposed and developed by the authors, based on the selection and analysis of nine digital media art artifacts, whose main poetic motto is the focus in destabilizing our perceptions about gravity. In this initial phase, images made available by the artists themselves on open platforms on the internet were analyzed. The questions of interest were: what effects/sensations are pursued and provoked? What are the artistic strategies to carry out destabilization? What differences and similarities are there between these initiatives? How can different strategies have different impacts on processes and results? To better answer these questions, the strategies for subversion – or destabilization – of gravity found in the artifacts were scrutinized and categories of analysis were created based on the relationships between the observed variables. The findings are discussed in detail and summarized in explanatory tables.
- Renne Passeron. 1997. Da estética à poiética. PORTO ARTE: Revista de Artes Visuais, 8(15) 103-116. DOI: https://doi.org/10.22456/2179-8001.27744Google ScholarCross Ref
- Rosa Hercoles. 2005. Forma de comunicação no corpo: Novas cartas sobre a dança. (Comunicação e Semiótica). Tese de Doutoramento. Pontifícia Universidade Católica. São Paulo, SP. https://repositorio.pucsp.br/jspui/handle/handle/repositorio.pucsp.br/handle/handle/4882Google Scholar
- André Breton. 1924. Manifesto do surrealismo. Recuperado em junho 20, 2022, Info Nodo. https://www.nodo50.org/insurgentes/biblioteca/manifesto_surrealista.pdfGoogle Scholar
- Clara Trigo. 2022. Poetics of Instability at the Get[IN]Gravity Interactive Video-Installation. In 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo), 1–4. https://doi.org/10.1109/ARTeFACTo57448.2022.10061265Google ScholarCross Ref
- Clara Trigo. 2018. Poética de instabilidade: práticas artísticas de desestabilização do comum em M. C. Escher, Manoel de Barros e Arnaldo Antunes. In XIV Enecult – encontro de estudos multidisciplinares em cultura, Salvador, BA. https://cult.ufba.br/enecult/anais/edicao-2018-xiv-enecult/Google Scholar
- Pablo Santurbano. 2022. Evolução e movimentação humana: Evolução do raciocínio evolutivo na saúde e no movimento Volume 1 (2nd ed.). Edição de Autor. São Paulo, SP.Google Scholar
- Claudia Damasio. 2011. Análise funcional do corpo no movimento dançado (AFCMD): Uma visão francesa—O ponto de vista daquele que dança. In O avesso do avesso do corpo—Educação somática como praxis (1st ed), Vol. 4. Nova Letra. Joinville, SC. 75–83.Google Scholar
- Steve Paxton. 2018. Gravity (1st ed). Contradance. Brussels.Google Scholar
- Caetano Veloso. 2018, July 30. Youtube. O Estrangeiro. https://www.youtube.com/watch?v=uIMZLr7LXVEGoogle Scholar
- Giovanni Rolla. 2022. A Mente Enativa (1st ed). Fi. https://spaces-cdn.owlstown.com/blobs/nw8o20q8dxnq0bk4ha88z4ryj0piGoogle Scholar
- Laurence Louppe. 2012. Poética da dança contemporânea. (1st ed). Orfeu Negro. Lisboa.Google Scholar
- Ann Cooper Albright. 2012. Caindo na memória. In Tempos de Memórias: Vestígios, Ressonâncias e Mutações, 48–67.Google Scholar
- Sylviane Pagès. 2012. Tomber. In Histoires de geste. Actes Sud. Paris.Google Scholar
- Pedro Veiga. 2018. Experiência e atenção: Construção e constrição de ecossistemas de média-arte digital. (Doutoramenteo em Média-arte Digital). Tese de doutoramento. Universidade Aberta/Universidade do Algarve, Lisboa/Faro. https://repositorioaberto.uab.pt/handle/10400.2/7502Google Scholar
- Fifth Wall / 2wice Arts Foundation—Est. 1989. Recuperado 24 de maio de 2023, de https://2wice.org/Google Scholar
- Bastien Dausse no Instagram: Research time with @julieta_salz. (2022, maio 2). Instagram. https://www.instagram.com/reel/CdD3KZ-FmHo/Google Scholar
- Bastien Dausse no Instagram: Floating memory. (2021a, julho 30). Instagram. https://www.instagram.com/reel/CR9orAUlfgp/Google Scholar
- Bastien Dausse no Instagram: Gravity Defying Act. Moon / Work in progress. (2021b, março 16). Instagram. https://www.instagram.com/p/CMfR226CLBT/Google Scholar
- Bastien Dausse no Instagram: Création. Avec @julieta_salz. (2020a, setembro 2). Instagram. https://www.instagram.com/p/CEozKYtiKPu/Google Scholar
- Bastien Dausse no Instagram: Danse verticale et vidéo projection. Déformer la gravité. (2020b, junho 6). Instagram. https://www.instagram.com/p/CBD5_PEAbrB/Google Scholar
- Clara Trigo. 2022, August 9. Youtube. Tudo é chão — Videodança. https://www.youtube.com/watch?v=cwaR8TKXC2QGoogle Scholar
- Erika Janunger. 2007, July 15. Weightless by Erika Janunger. https://www.youtube.com/watch?v=iiJhRjBEm6oGoogle Scholar
- Lal Tessarini no Instagram: blast from the past—Little rehearsal (…) Recuperado 24 de maio de 2023, de https://www.instagram.com/p/CnVLBdppmgf/Google Scholar
- Yoann Bourgeois no Instagram: Sometimes there are simple encounters.(…) (2021, maio 31). Instagram. https://www.instagram.com/p/CPii0MCKCsU/Google Scholar
- Ivani Santana. 2020. Dança com mediação tecnológica: Uma poética inevitavelmente compartilhada. In Dança sob o signo do múltiplo (st° ed). Estação das letras e cores. São Paulo, SP. 27-40.Google Scholar
- Pedro Veiga. 2020. Para uma definição de Média-Arte Digital: Suportando a investigação teórica transdisciplinar baseada em prática artística. DOI: 10.13140RG.2.1.3165.4882/1Google Scholar
- Fernando Fogliano, Daniel Malva & Melina Furquim. 2019. Arte: estabilidade e ruptura, do modernismo ao zeitgeist da contemporaneidade. ARS, 17(35), 59-77. https://doi.org/10.11606/issn.2178-0447.ars.2019.152554Google ScholarCross Ref
Index Terms
- Poetics of Instability: Subversion of Gravity through Digital Performative Art
Recommendations
Poetics in hybrid art: Artistic practices, collaborative exchanges
ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive ArtsThis paper comments the process of creating a hybrid art installation, whose version, with the creative coding and interactive video, resulted in the artwork Tela Transeunte (2020). Therefore, it presents a brief reflection about the new media art and ...
The engagement of digital art with contemporary art
EVA '17: Proceedings of the conference on Electronic Visualisation and the ArtsDigital art is increasingly becoming engaged with contemporary art. Artists began using programming and technology to create art in the 1950s and 1960s and the revolutionary advances in digital technology have spawned new approaches to making art. ...
Digital islamic art: the use of digital technologies in contemporary islamic art in the UK
EVA '16: Proceedings of the conference on Electronic Visualisation and the ArtsIn this paper, I provide a brief introduction to my artistic practice combining the use of digital technologies with traditional methods for producing Islamic art. Looking at further examples of Islamic artworks by artists in the UK I describe how in ...
Comments