Gilbertto Prado
ABSTRACT
Encontros is an interactive installation from 2012 of Gilbertto Prado with the Poéticas Digitais Group. The piece consists of a wooden base, cell phones, spring, motors, Arduino boards, interfaces and electronic devices and Wi-fi.
The two mobile phones exhibit videos filmed during a trip up the Amazon River composed of flows of water in two distinct tints: On the one side we have a predominance of black-colored water, on the other, brown-colored.
The system searches for real-time information in such a way as to reflect changes in the tides and the phases of the moon, as opposed to the flow of accesses to the word "Meetings" in several languages.
The spring, at the same time in which it extends, coils to mark the space and the course of the flow/movement. In the brief moments of near-touching, at the limit of the spring's approximation and coiling, it is possible to notice a light combination of brown and black of the waters that mix and simultaneously, the impossibility of the encounter.
- G.Prado. "Ensaio gráfico: Diário de bordo. 2012 " ARS (São Paulo), 10, no. 20 (2012): 56--69. Accessed june 11, 2019. DOI: https://doi.org/10.11606/issn.2178-0447.ars.2012.64422Google Scholar
Cross Ref
- K. O'Rourke (org.). 1992. Art-Réseaux. Paris: éd. du CERAP.Google Scholar
- L. Paraguai, and G. Prado. 2004. "Wearcomp: dispositivos móveis de presença mediada". In Derivas - Cartografias do ciberespaço, edited by Lucia Leão, 201--209. São Paulo: Anablume; Senac.Google Scholar
- K. O'Rourke. 2013. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press.Google Scholar
- L. Paraguai. 2014. "Mapeamento da mobilidade-traços de percursos," In Anais do 23° Encontro Nacional de Pesquisadores em Artes Plásticas, edited by Afonso Medeiros, Lucia Gouvêa Pimentel, Idanise Hamoy, and Yacy-Ara Froner, 2220--2229. Belo Horizonte: ANPAP/PPGARTES/ICA/UFMG. Acesso 11 junho de 2019. http://www.anpap.org.br/anais/2014/ANAIS/simposios/simposio04/Luisa%20Paraguai.pdf.Google Scholar
- G. Prado. 2013. "Projetos recentes do Grupo Poéticas Digitais," In Poesia Visual, edited by Alberto Saraiva, 14--21. Rio de Janeiro: F10 Editora; Oi Futuro.Google Scholar
- G. Prado. 2018. Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment. Leonardo 2018--51:1, 61--62. The MIT Press doi: https://doi.org/10.1162/LEON_a_01557Google ScholarCross Ref
- G. Prado. 2017. Grupo Poéticas Digitais: Dialogo y Medio Ambiente. ANIAV - Revista de Investigación en Artes Visuales, [S.l.], v. 1, n. 1, p. 47--58, jul. 2017. Acesso 11 junho de 2019. doi: https://doi.org/10.4995/aniav.2017.7820.Google ScholarCross Ref
- G. Prado. 2016. "Projetos 'ZN:PRDM (Zona Neutra: Passa Um Rio Dentro De Mim)' e 'Caixa dos Horizontes Possíveis' do Grupo Poéticas Digitais," Arteriais, 3, no. 2 (2016): 54--66. Acesso 11 junho de 2019. doi: 10.18542/arteriais.v3i3.3862.Google ScholarCross Ref
- G. Prado. 2015. "Grupo Poéticas Digitais: Encontros e ø25 - Quarto Lago." In Arte em deslocamento: trânsitos geopoéticos, edited by Priscila Arantes, 80--91. São Paulo: Paço das Artes.Google Scholar
- G. Prado. 2015. "Projetos 'Encontros' e 'ø25 - QUARTO LAGO'." Visualidades, 12, no. 2 (2015b). Acesso 11 junho de 2019. doi: http://doi.org/10.5216/vis.v12i2.34475Google ScholarCross Ref
- G. Prado and J. La Ferla (org.). 2018. Circuito Alameda. Ciudad de México: Instituto Nacional de Bellas Artes | Laboratorio Arte Alameda, 2018. Acesso 11 junho de 2019. http://www.gilberttoprado.net/assets/circuito_alameda_gttoprado_jlf.pdfGoogle Scholar
Index Terms
- Encontros (Meetings)
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