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Introduction

Plural Sovereignties and Indigenous Literary Formation

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Plural Sovereignties and Contemporary Indigenous Literature
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Abstract

When considered as a complex and often contradictory inheritance, at once antiquated and vivid in remembered stories, the indigenous experience of Anglo-European nationality presents a violent and historical proximity. The very imposition of a foreign nationality onto indigenous communities implies an original implausibility that for some American Indians and Native Canadians has over time become something powerfully worth believing in. Yet by remaining only strategically or “temporarily” visible within settler-colonial nations, indigenous subjects—whether full-blood or mixedblood, whether sovereign or disenfranchised, whether reservation- or reserve-situated or urban-based—have in recent years succeeded in walking all the way through the apparent and uneven contradictions of an alien nationality to the other side where freestanding sovereignty awaits. In fact, indigenous sovereignty never departed.1

The basic task that remains after three or four centuries of contact between Indians and whites is still the construction of a bridge of understanding between two worlds that exist as separate realities.

—Harold Cardinal, “A Canadian What the Hell It’s All About”

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Notes

  1. Vine Deloria, Jr. chooses the same figure of speech when describing the persistence of traditional indigenous worldviews beyond the Anglo-European context: “this system has pulled Indians into the Western worldview, and some of the brighter ones are now emerging on the other side, having traversed the Western body of knowledge completely.” See Vine Deloria, Jr. and Daniel R. Wildcat, Power and Place: Indian Education in America (Golden, CO: Fulcrum, 2004), 133. The term “temporary visibility” is Robert Warrior’s. See his “‘Temporary Visibility’: Deloria on Sovereignty and AIM,” Native American Perspectives on Literature and History, ed. Alan R. Velie (Norman: Univ. of Oklahoma Press, 1994).

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  2. Harold Cardinal, “A Canadian What the Hell It’s All About,” in An Anthology of Canadian Native Literature in English, ed. Daniel David Moses and Terry Goldie, 2nd ed. (Toronto: Oxford Univ. Press, 1998), 215. Original emphasis.

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  4. See Chadwick Allen, Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts (Durham, NC: Duke Univ. Press, 2002). By reading Maori treaty discourse alongside activist American Indian literary texts, Allen links different contemporary sovereignty struggles to a shared narrative practice. By embracing a “complex” of “blood/ land/memory” local indigenous literatures can textualize (and monumentalize thereby) specific historical moments accessible to other sovereigns beyond the local. Even more provocative and interesting is the putative claim underlying Allen’s comparative claim: any text, like treaties themselves, may encode sovereign assertions.

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  11. For recent, quality treatments of nineteenth-century translations of sover-eign discourse into English, see Robert Warrior, The People and the Word (Minneapolis: Univ. of Minnesota Press, 2005);

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  12. Maureen Konkle, Writing Indian Nations: Native Intellectuals and the Politics of Historiography, 1827–1863 (Chapel Hill: Univ. of North Carolina Press, 2004); and

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  13. Cheryl Walker, Indian Nation: Native American Literature and Nineteenth-Century Nationalisms (Chapel Hill, NC: Duke Univ. Press, 1997). The turn toward writing Warrior, Konkle, and Walker (among others) have documented is itself a very significant development when meeting the subsequent “acid test” of verifiable sovereignty imposed by settler colonialists.

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  20. Vine Deloria, Jr. and Clifford M. Lytle, The Nations Within: The Past and Future of American Indian Sovereignty (Austin: Univ. of Texas Press, 1984), 235.

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  30. Berkhofer Jr. writes: “To the extent that. .. discrimination and oppression produced indigenismo, Red Power, or another political movement, then Native American leaders in a sense have given a political reality to the original White image of the Indian as a separate but single collectivity.” See Robert F. Berkhofer Jr., The White Man’s Indian: Images of the American Indian from Columbus to the Present (New York: Vintage-Random, 1978), 195.

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  32. For an insightful argument asserting the continued relevance of Louis Riel’s legacy to contemporary theorizations of Canadian pluralism in the as yet colonial context, see Ian Angus, “Louis Riel and English-Canadian Political Thought,” University of Toronto Quarterly 74.4 (2005): 884–94.

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  35. John Collier, Indians of the Americas: The Long Hope (New York: Mentor/ New American Library, 1947), 15.

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  43. Recently, many indigenous scholars and sovereign stakeholders have distanced themselves from Anglo-European literary criticism generally, citing bad faith, the privileging of fiction over nonfiction, ignorance, outright racism, and most notably, the disturbing misappropriation of indigenous being, properties, and life-ways to fraudulent purposes in a “poacher” or “squatter” discourse having little to do with the indigenous material world. See Devon A. Mihesuah, “Finding Empowerment through Writing and Reading, or Why Am I Doing This?: An Unpopular Writer’s Comments about the State of American Indian Literary Criticism,” American Indian Quarterly 28.1&2 (2004): 97–102; and

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  45. See Jace Weaver, “More Light than Heat: The Current State of Native American Studies,” American Indian Quarterly 27.2 (2007): 236–37.

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© 2009 Stuart Christie

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Christie, S. (2009). Introduction. In: Plural Sovereignties and Contemporary Indigenous Literature. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230620759_1

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