Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-24T04:37:34.297Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  26 January 2012

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 37 , Issue 1 , March 2012 , pp. 98 - 100
Copyright
Copyright © International Federation for Theatre Research 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BAINES, ROGER W., CHRISTINA, MARINETTI AND MANUELA, PERTEGHELLA, Staging and Performing Translation: Text and Theatre Practice. Basingstoke: Palgrave Macmillan, 2011. Pp. 280. £55/$80 Hb.CrossRefGoogle Scholar
BEVLINGTON, DAVID, Murder Most Foul: Hamlet through the Ages. Oxford: Oxford University Press, 2011. Pp. 248. $45 Hb.CrossRefGoogle Scholar
BLEEKER, MAAIKE, Visuality in the Theatre: The Locus of Looking. Basingstoke: Palgrave Macmillan, 2011. Pp. 248. £18.99 Pb.Google Scholar
BRATER, ENOCH, 10 Ways of Thinking about Beckett. London: Methuen, 2011. Pp. 208. £16.99 Pb.CrossRefGoogle Scholar
BRISSENDEN, ALAN AND GLENNON, KEITH eds., Australia Dances: Creating Australian Dance 1945–1965. Adelaide: Wakefield Press, 2010. Pp. ix + 269 + illus. AU$70 Hb.Google Scholar
BROWN, IAN, The Edinburgh Companion to Scottish Drama. Edinburgh: University of Edinburgh Press, 2011. Pp. 256. £21.99 Pb.Google Scholar
BRUNSTRÖM, CONRAD, Thomas Sheridan's Career and Influence. Lewisbury: Bucknell University Press, 2011. Pp. 166. $60 Hb.Google Scholar
CANTON, URSULA, Biographical Theatre. Basingstoke: Palgrave Macmillan, 2011. Pp. 220. £50 Hb.CrossRefGoogle Scholar
CARROLL, MARK, ed., The Ballets Russes in Australia and Beyond. Adelaide: Wakefield Press, 2011. Pp. ix + 358 + illus. AU$75 Hb.Google Scholar
CHERNAIK, WARREN L., The Myth of Rome in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press, 2011. Pp. 306. $90/£55 Hb.CrossRefGoogle Scholar
COMANS, CHRISTINE, La Boite: The Story of an Australian Theatre Company. Brisbane: Playlab Press, 2009. Pp. 352 + illus. AU$55 Pb.Google Scholar
SAVITRI, DTALEN, WILLIAM AND SOLOMON, ALISA, The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life after Shopping. Ann Arbor: University of Michigan Press, 2011. Pp. 244. £47.95/$55 Hb; £19.95/$22.95 Pb.Google Scholar
DOBSON, MICHAEL, Shakespeare and Amateur Performance: A Cultural History. Cambridge: Cambridge University Press, 2011. Pp. 280. £50/$85 Hb.CrossRefGoogle Scholar
GARCÍA SANTO TOMÁS, ENRIQUE, ed., Tirso de Molina's Don Gil de las Calzas Verdes. Madrid: Ediciones Cátedra, 2009. Pp. 224. $12/€8.30 Pb.Google Scholar
GAREBIAN, KEITH, The Making of Cabaret. Oxford: Oxford University Press, 2011. Pp. 256 + 37 illus. £60 Hb.CrossRefGoogle Scholar
GIANNACHI, GABRIELLA AND KAYE, NICK, Performing Presence: Between the Live and the Simulated. Manchester and New York: Manchester University Press, 2011. Pp. 240 + 82 illus. £55 Hb.Google Scholar
HAMILTON, MARGARET, Transfigured Stages: Major Practitioners and the Theatre Aesthetics of Australia. Amsterdam and New York: Rodopi, 2011. Pp. 243. €59 Pb.Google Scholar
HARDING, JAMES M. AND ROSENTHAL, CINDY, eds., The Rise of Performance Studies. Basingstoke: Palgrave Macmillan, 2011. Pp. 312. £55 Hb.CrossRefGoogle Scholar
HIMMELSEHER, BIRGIT, Das Weimarer Hoftheater unter Goethes Leitung. Berlin: De Gruyter, 2010. Pp. vii + 311. €79.95 Hb.CrossRefGoogle Scholar
HOLDSWORTH, NADINE, Joan Littlewood's Theatre. Cambridge: Cambridge University Press, 2011. Pp. 334 + 12 illus. £55 Hb.Google Scholar
HOPES, JEFFREY AND LECOSSOIS, HÉLÈNE, eds., Théâtre et nation. Rennes: Presses universitaires de Rennes, 2011. Pp. 234. €17 Pb.Google Scholar
HOPKINS, LISA, Drama and the Succession of the Crown. London: Ashgate, 2011. Pp. 188 + 1 illus. £55 Hb.Google Scholar
HWANG DEGENHART, JANE AND WILLIAMSON, ELIZABETH, eds., Religion and Drama in Early Modern England. London: Ashgate, 2011. Pp. 294 + 4 illus. £60 Hb.Google Scholar
KABATCHNIK, AMNON, Blood on the Stage, 1950–1975: Milestone Plays of Crime, Mystery, and Detection. Lanham, Toronto and Plymouth: The Scarecrow Press, 2011. Pp. 672. £80 Hb.Google Scholar
KEENAN, SIOBHAN AND JOWETT, JOHN, The Emperor's Favourite. Manchester: Published for the Malone Society by Manchester University Press, 2010. Pp. 80. £40/$75 Hb.Google Scholar
KENNEDY, DENNIS, Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, 2011. Pp. 709. £10.99 Pb.Google Scholar
LANE, DAVID, Contemporary British Drama. Edinburgh: Edinburgh University Press, 2010. Pp. 240. £60 Pb.Google Scholar
LEENEY, CATHY, Irish Women Playwrights, 1900–1930: Gender and Violence on Stage. New York, Bern, Brussels, Frankfurt am Main, Oxford and Vienna: Peter Lang, 2010. Pp. 265. £50 Hb.Google Scholar
LEI, DAPHNE P., Alternative Chinese Opera in the Age of Globalization: Performing Zero. Basingstoke: Palgrave, 2011. Pp. 248. £50 Hb.CrossRefGoogle Scholar
LOW, JENNIFER A. AND MYHILL, NOVA, Imagining the Audience in Early Modern Drama, 1558–1642. New York: Palgrave Macmillan, 2011. Pp. 228. £52/$85 Hb.CrossRefGoogle Scholar
LYLY, JOHN AND SCRAGG, LEAH, Mother Bombie. Manchester: Manchester University Press, 2010. Pp. 240. £55/$74.95 Hb; £12.99/$19.99 Pb.Google Scholar
MAGELSSEN, SCOOT AND JUSTICE-MALLOY, RHONA, Enacting History. Tuscaloosa: The University of Alabama Press, 2011. Pp 240 + 10 illus. $24.95 Pb.Google Scholar
MALAEV BABEL, ANDREI, ed., The Vakhtangov Sourcebook. London: Routledge, 2011. Pp. 400. £18.99 Pb.Google Scholar
MAXWELL, IAN, A Raffish Experiment: The Selected Writings of Rex Cramphorn. Sydney: Currency Press, 2009. Pp. xii + 370 + illus. AU$32.95 Pb.Google Scholar
MCCAW, DICK, The Laban Sourcebook. London: Routledge, 2011. Pp. 376. £22.99 Pb.Google Scholar
MCGILLIVRAY, GLEN, ed., Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance. Bern: Peter Lang, 2011. Pp. 283 + illus. £40.50 Pb.CrossRefGoogle Scholar
MEE, ERIN B. AND FOLEY, HELENE P., Antigone on the Contemporary World Stage. Oxford: Oxford University Press, 2011. Pp. 467 + 47 illus. £85 Hb.CrossRefGoogle Scholar
NIXON, MARK, Samuel Beckett's German Diaries: 1936–1937. London: Continuum, 2011. Pp. 192. £60 Hb.Google Scholar
NYE, EDWARD, Mime, Music and Drama on the Eighteenth-Century Stage, Cambridge: Cambridge University Press, 2011. Pp. 344. £55 Hb.CrossRefGoogle Scholar
O'QUINN, DANIEL, Entertaining Crisis in the Atlantic Imperium 1770–1790. Baltimore: Johns Hopkins University Press, 2011. Pp. 414. $75 Hb.Google Scholar
PAILER, GARY AND SCHOBLER, FRANZISKA, GeschlecterSpielRaume. Dramatik Tehater, Performance and Gender. Amsterdam and New York: Rodopi, 2011. Pp. 374. €75 Hb.Google Scholar
PARKER-STARBUCK, JENNIFER, Cyborg Theatre. Corporeal/Technological Intersections in Multimedia Performance. Basingstoke: Palgrave Macmillan, 2011. Pp. 264. £50 Hb.CrossRefGoogle Scholar
PEARSON, MIKE, Mickery Theatre. Chicago: The University of Chicago Press, 2011. Pp. 312. £32.50 Pb.Google ScholarPubMed
PILLING, JOHN, Samuel Beckett's ‘More Pricks than Tricks’. London: Continuum, 2011. Pp. 288. $120 Hb.Google Scholar
ROKEM, FREDDIE, Philosophers and Thespians Thinking Performance. Stanford, CA: Stanford University Press, 2010. Pp. 248. £53.50/$60 Hb; £19.50/$21.95 Pb.Google Scholar
ROSELLI, DAVID KAWALKO, Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press, 2011. Pp. 362. £37/$55 Hb.Google Scholar
SAETRE, LARS, LOMBARDO, PATRIZIA AND GULLESTAD, ANDERS M., eds., Exploring Textual Action. Aarhus: Aarhus University Press, 2010. £40.95 Pb.Google Scholar
SCHNEIDER, BRIAN, The Framing of Text in Early Modern English Drama. London: Ashgate, 2011. Pp. 330. £60 Hb.Google Scholar
SCHULTE, HANS, NOYES, JOHNKLEBER, AND PIA, eds., Goethe's Faust: Theatre of Modernity. Cambridge: Cambridge University Press, 2011. Pp. 346. £55/$90 Hb.CrossRefGoogle Scholar
SELL, MIKE, ed., Avant-Garde Performance and Material Exchange: Vectors of the Radical. Houndmills, Basingstoke: Palgrave Macmillan, 2011. Pp. 232. £50/$80 Hb.CrossRefGoogle Scholar
SOANS, ROBIN, Deep Heat: Encounters with the Famous, the Infamous and the Unknown. London: Oberon, 2011. Pp. 128. £10.99 Pb.Google Scholar
STORM, WILLIAM, Irony and the Modern Theatre. Cambridge: Cambridge University Press, 2011. Pp. 266. £55/$90 Hb.CrossRefGoogle Scholar
VARNEY, DENISE, Radical Visions 1968–2008: The Impact of the Sixties on Australian Drama. Amsterdam and New York: Rodopi, 2011. Pp. 294. €48/$88.50 Pb.Google Scholar
WEKWERTH, MANFRED, Daring to Play: A Brecht Companion, edited by HOZIER, ANTHONY, translated by Brown, Rebecca. London: Routledge, 2011. Pp. 264. £19.99 Pb.Google Scholar
WIEGMINK, PIA, Protest EnActed: Activist Performance in the United States. Heidelberg: Winter-Verlag, 2011. Pp. x + 434 + 14 illus. €54 Hb.Google Scholar
WILES, DAVID, Theatre and Citizenship: The History of a Practice. Cambridge: Cambridge University Press, 2011. Pp. 266. £55/$90 Hb.Google Scholar
WILMER, S. E. AND ZUKASUKAITE, AUDRONE, Interrogating Antigone in Postmodern Philosophy and Criticism. Oxford: Oxford University Press, 2010. Pp. 448. £80 Hb.CrossRefGoogle Scholar
WOLF, STACY ELLEN, Changed for Good: A Feminist History of the Broadway Musical. New York: Oxford University Press, 2011. Pp. 320. £60/$99 Hb; £15.99/$24.95 Pb.CrossRefGoogle Scholar