Skip to main content
Log in

Let’s Get Physical!—On the Zoosemiotics of Corporeality

  • Original Paper
  • Published:
Biosemiotics Aims and scope Submit manuscript

Abstract

The article addresses the topics of body and corporeality within zoosemiotics, particularly in the light of the discussion on the mind-body dualism. The thesis defended is that of the continuity between the two dimensions, and therefore of the lack of a proper “dualism”. The arguments provided in support of this statement include methodological questions such as the etic-emic debate, and theoretical issues of interdisciplinary type, such as contributions from phenomenology and ethology. Specific examples and case-studies are borrowed from the field of zoomusicology.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

Fig. 1
Fig. 2

Similar content being viewed by others

Notes

  1. “Among other things, if Nagel was right, not only we could not understand a bat, but other humans either, since we could not interpret their personal perspective anyway. However, it seems that we do understand each other—at least sometimes, so how can Nagel be right?” (Cimatti 2001, personal communication; my translation)

  2. Semiotically speaking, to have a mind implies at least the capacity to 1) guide one’s own behaviour from the ‘inside’, on the basis of projects not directly connected with what happens outside; and 2) elaborate and transform such representations.

  3. For an exhaustive definition of zoomusicology, I shall suggest the reading of Martinelli 2002 and Mâche 1992.

  4. The issue of anthropomorphism is highly problematic, and connected (albeit indirectly) with the topics discussed in the present article. My most recent formulation of the problem appears in Martinelli and Bankov 2008, pp.412-418.

References

  • Akimushkin, Igor. (1988). Ethology. Moscow: Mir.

  • Blacking, J. (1977). Can musical universals be heard? The World of Music, 19(1–2), 14–22.

    Google Scholar 

  • Boilés, C. (1984). Universals of musical behavior: a taxonomic approach. The World of Music, 31–2, 50–65.

    Google Scholar 

  • Cimatti, F. (2001). Mente e linguaggio negli animali. Roma: Carrocci.

    Google Scholar 

  • Cousteau, J., & Paccalet, Y. (1987). Il pianeta delle balene. Milano: Fabbri.

  • Darwin, C. (1872). The expression of the emotions in man and animals. London: Murray.

    Book  Google Scholar 

  • Delalande, F. (1991). Le condotte musicali. Bologna: CLUEB.

    Google Scholar 

  • Earle, S. A. (1979). The gentle whales. National Geographic, 1551, 2–25.

    Google Scholar 

  • Goodall, J. (1971). In the shadow of man. Boston, MA: Houghton Mifflin.

  • Gourlay, K. A. (1984). The non-universality of music and the universality of non-music. The World of Music, 31(2), 25–36.

    Google Scholar 

  • Hart, S. (1996). The language of animals. New York: Henry Holt and Company

  • Horn, E. (Ed.). (1983). Multimodal convergences in sensory systems. Stuttgart: Fischer.

    Google Scholar 

  • Koskoff, E. (1984). Thoughts on universals in music. The World of Music, 31(2), 66–83.

    Google Scholar 

  • Kurath, G. P. (1977). Universals in dance. The World of Music, 191(2), 43–62.

    Google Scholar 

  • Mâche, F.-B. (1992). Music, myth and nature. New York: Harwood Academic Publishers.

    Google Scholar 

  • Mainardi, D. (Ed.). (1992). Dizionario di etologia. Torino: Einaudi.

    Google Scholar 

  • Martinelli, D. (2002). How musical is a whale?—Towards a theory of zoomusicology. Helsinki: Acta Semiotica Fennica.

    Google Scholar 

  • Martinelli, D., & Bankov, K. (2008). Bankov’s razor versus Martinelli’s canon. A confrontation around biosemiotics. Biosemiotics, 1, 397–418.

    Article  Google Scholar 

  • Nagel, T. (1974). What is it like to be a bat? Philosophical Review, 83, 435–450.

    Article  Google Scholar 

  • Nattiez, J.-J. (1977). Under what conditions can one speak of the universality of music? World of Music, 19(1/2), 92–105.

    Google Scholar 

  • Partan, S., & Marler, P. (1999). Communication goes multimodal. Science, 283(5406), 1272–1273.

    Article  PubMed  CAS  Google Scholar 

  • Payne, R. N. (1982). New light on the singing whales. National Geographic, 1614, 463–477.

    Google Scholar 

  • Payne, R. N. (1996). La vita segreta delle balene. Milano: Mondadori.

    Google Scholar 

  • Royce, A. P. (1977). The anthropology of dance. Bloomington: Indiana University Press.

    Google Scholar 

  • Sachs, C. (1937). World history of the dance. New York: Norton.

    Google Scholar 

  • San Martín, J., & Pintos Peñaranda, M. L. (2001). “Animal Life and Phenomenology" in The Reach of Reflection: The Future of Phenomenology, ed. Steven Crowell, Lester Embree and Samuel J. Julian. Electronpress. Electronic Publication.

  • Sebeok, T. (1981). The play of musement. Bloomington: Indiana University Press.

    Google Scholar 

  • Stefani, G. (1985). Competenza musicale e cultura della pace. Bologna: CLUEB.

    Google Scholar 

  • Tembrock, G. (1963). Acoustic behavior of mammals. In R. G. Busnel (Ed.), Acoustic behavior of animals (pp. 751–786). London: Elsevier.

    Google Scholar 

  • Thorpe, W. H. (1972). Vocal communication in birds. In R. A. Hinde (Ed.), Non-verbal communication (pp. 153–176). Cambridge: Cambridge University Press.

    Google Scholar 

  • Wallin, N. (1991). Biomusicology. Stuyvesant: Pendragon.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Dario Martinelli.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Martinelli, D. Let’s Get Physical!—On the Zoosemiotics of Corporeality. Biosemiotics 4, 259–279 (2011). https://doi.org/10.1007/s12304-010-9098-5

Download citation

  • Received:

  • Accepted:

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s12304-010-9098-5

Keywords

Navigation