Abstract
After a short overview of other models for tone center recognition, this chapter evaluates the tone center recognition model by applying it to musical examples of Chopin, Brahms, and Bartók. The examples belong to the tonal repertoire and have been selected as an illustration of the power and limits of the model.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
J. Bharucha: Music cognition and perceptual facilitation - a connectionist framework. Music Perception 5, 1–30 (1987)
J. Bharucha, P. Todd: Modeling the perception of tonal structure with neural nets. In Music and Connectionism, ed. by P. Todd, G. Loy (MIT Press, Cambridge, MA 1991)
G.A. Carpenter, S. Grossberg: The art of adaptive pattern recognition by a self-organizing neural network. IEEE-Computer 21, 77–88 (1988)
R. Eberlein, J.P. Fricke: Kadenzwahrnehmung und Kadenzgeschichte - ein Beitrag zu einer Grammatik der Musik (Peter Lang, Frankfurt am Main 1992)
R.O. Gjerdingen: Categorization of music patterns by self-organizing neuronlike networks. Music Perception 7, 339–369 (1990)
R.O. Gjerdingen: Learning syntactically significant temporal patterns of chords - a masking field embedded in an ART 3 architecture. Neural Networks 5, 551–564 (1992)
S.R. Holtzman: A program for key determination. Interface - J. New Music Research 6, 29–56 (1977)
C. Longuet-Higgins: The three dimensions of harmony. In Mental Processes - Studies in Cognitive Science, ed. by C. Longuet-Higgins (MIT Press, Cambridge, MA 1962/1987)
C. Longuet-Higgins: The grammar of music. In Mental Processes - Studies in Cognitive Science, ed. by C. Longuet-Higgins (MIT Press, Cambridge, MA 1978/1987)
C. Longuet-Higgins, M.J. Steedman: On interpreting bach. In Mental Processes - Studies in Cognitive Science, ed. by C. Longuet-Higgins (MIT Press, Cambridge, MA 1971/1987)
H.J. Maxwell: An expert system for harmonic analysis of tonal music. In Understanding Music with AI - Perspectives on Music Cognition, ed. by M. Balaban, K. Ebcioglu, O. Laske (MIT Press, Cambridge, MA 1992)
D.J. Povel, R.Van Egmond: The function of accompanying chords in the recognition of melodic fragments. Music Perception 11, 101–115 (1993)
P. Todd: A connectionist approach to algorithmic composition. In Music and Connectionism, ed. by P. Todd, G. Loy (MIT Press, Cambridge, MA 1991)
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 1995 Springer-Verlag Berlin Heidelberg
About this chapter
Cite this chapter
Leman, M. (1995). Evaluation of the Tone Center Recognition Model. In: Music and Schema Theory. Springer Series in Information Sciences, vol 31. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-85213-8_10
Download citation
DOI: https://doi.org/10.1007/978-3-642-85213-8_10
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-85215-2
Online ISBN: 978-3-642-85213-8
eBook Packages: Springer Book Archive