Abstract
The MIROR project is an European Union funded project under the 7th Framework programme (Technology-enhanced learning). The project is in its first year and so the aim of this paper is to explain its background and rationale, to describe its aims and structure. The MIROR Project deals with the development of an innovative adaptive system for music learning and teaching based on the reflexive interaction paradigm. The reflexive interaction paradigm is based on the idea of letting users manipulate virtual copies of themselves, through specifically designed machine-learning software referred to as interactive reflexive musical systems (IRMS). MIROR aims at extending the IRMS paradigm with the analysis and synthesis of multisensory expressive gesture to increase its impact on the musical pedagogy of young children. The MIROR platform will be developed in the context of early childhood music education. It will act as an advanced cognitive tutor, designed to promote specific cognitive abilities in the field of music improvisation, composition and body performance, both in formal learning contexts (kindergartens, primary schools, music schools) and informal ones (at home, kinder centers, etc.).
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Addessi, A.R., Pachet, F.: Experiments with a musical machine: musical style replication in 3/5 year old children. British Journal of Music Education 22(1), 21–46 (2005)
Addessi, A.R., Pachet, F.: Young children confronting the Continuator, an interactive reflective musical system. Musicae Scientiae, Special Issue, 13–39 (2006)
Addessi, A.R., Young, S. (eds.): Proceedings of MERYC 2009. Bononia University Press, Bologna (2009)
Addessi, A.R., Ferrari, L., Pachet, F.: Without touch, without seeing. Children playing with a cybernetic musician. In: ECME Proceedings, Chinese Cultural University, Taipei, Taiwan (2006)
Addessi, A.R., Ferrari, L., Carlotti, S., Pachet, F.: Young children musical experience with a flow machine. In: Proceedings of ICMPC9 and 6th ESCOM Conference. Bononia University Press, Bologna (2006)
Benghi, D., Addessi, A.R.: Teaching to improvise with the Continuator. In: 28th ISME Proceedings, Bologna, pp. 882–883 (2008)
Boone, R.T., Cunningham, J.G.: Children’s decoding of emotion in expressive body movement: the development of cue attunement. Developmental Psychology 34, 1007–1016 (1998)
Bryan-Kinns, N.: Computer in support of musical expression, University of London, UK (2004)
Burnard, P.: Routes to understanding musical creativity. In: Bresler, L. (ed.) International Handbook of Research in Arts Education, vol. 2. Springer, The Netherlands (2007)
Conklin, D., Anagnostopoulou, C.: Discovery of segmental patterns in music. INFORMS Journal on Computing 18(3), 285–293 (2006)
Camurri, A., Volpe, G. (eds.): GW 2003. LNCS (LNAI), vol. 2915. Springer, Heidelberg (2004)
Camurri, A., De Poli, G., Leman, M., Volpe, G.: Toward communicating expressiveness and affect in multimodal interactive systems for performing art and cultural applications. IEEE Multimedia Magazine 12(1), 43–53 (2005)
Camurri, A., Canepa, C., Volpe, G.: Active listening to a virtual orchestra through an expressive gestural interface: the Orchestra Explorer. In: Proceedings of NIME-2007, New York University, NY, USA (2007)
Cope, D.: Experiments in Musical Intelligence. A-R Editions, Winsconsin, Madison (1996)
Csikzsentmihalyi, M.: Creativity: flow and the psychology of discovery and invention. Harper Collins Edition, New York (1996)
Davidson, J.W.: What type of information is conveyed in the body movements of solo musician performers. Journal of Human Movement Studies 6, 279–301 (1994)
Delalande, F.: Le condotte musicali. Clueb, Bologna (1993)
De Kerckhove, D.: Brainframes: technology, mind and business. Bosch & Keuning, Belgium (1991)
Ferrari, L., Addessi, A.R., Pachet, F.: New technologies for new music education: the Continuator in a classroom setting. In: Proceedings of ICMPC9 and 6th ESCOM Conference, Bononia University Press, Bologna (2006); (revised version in print on the International Journal of Music Education)
Fober, D.: Miroirs technologiques pour la pratique instrimentale. In: Rencontres Musicales Pluridisciplinaires, GRAME-Centre national de creation musicale, Lyon, pp. 87–92 (2006)
Fober, D., Letz, S., Orlarey, Y.: VEMUS- Une école de musique eropéenne visrtuelle. In: Actes des Journées d’Informatique Musicale JIM 2007, GRAME-Centre national de creation musicale, Lyon (2007)
Fogel, A.: Oltre gli individui: un approccio storico-relazionale alla teoria e alla ricerca sulla comunicazione. In: Il rapporto madre-bambino, Carracci, Roma, pp. 123–157 (2000)
Fölkestad, G., Hargreaves, D.J., Lindström, B.: Compositional strategies in computer-based music-making. British Journal of Music Education 15(1), 83–97 (1998)
Guerra, L. (ed.): Educazione e tecnologie. I nuovi strumenti della mediazione didattica. Junior Edizioni, Azzano San Paolo (2010)
Ilari, B., Gluschankoff, C.(eds.): Music in the early years: research, theory and practice. Special Issue of Early Child Development and Care 179(6) (2009)
Imberty, M.: La musique creuse le temps. De Wagner à Boulez: Musique, psychologie, psycanalyse. L’Harmattan, Paris (2005)
Imberty, M., Gratier, M. (eds.): Temps, geste et musicalité. L’Harmattan, Paris (2007)
Laban, R., Lawrence, F.C.: Effort. Macdonald & Evans Ltd, Plymouth (1947)
Malloch, S.: Mothers and infants and communicative musicality. Musicae Scientiae Special Issue, 29–58 (2000)
McGregor, C.: The practicing and processing of music rudiments: a comparison of a traditional versus online music appreciation class. Report, Southwestern College (2007)
McPherson, G. (ed.): The child as musician: a handbook of musical development. Oxford University Press, Oxford (2006)
Olsson, B.: Social issues on music education. In: Bresler, L. (ed.) The international handbook of research on arts education. Springer, The Netherlands (2007)
Pachet, F.: Musical interaction with style. Journal of Music Research 32(3), 333–341 (2003)
Pachet, F.: Enhancing Individual Creativity with Interactive Reflexive Musical Systems. In: Deliège, I., Wiggins, G. (eds.) Musical Creativity: current research in theory and practice. Psychology Press, Hove (2006)
Pachet, F., Addessi, A.R.: When children reflect on their playing style: The Continuator. ACM Computers in Entertainment 2(2) (2004)
Pachet, F., Roy, P.: Markov Constraints: Steerable Generation of Markov Sequences. Constraints 16(2), 148–172 (2011)
Pachet, F., Roy, P., Barbieri, G.: Finite-Length Markov Processes with Constraints. In: Proc. of IJCAI 2011, Barcelona (July 2011)
Picard, R.: Affective Computing. MIT Press, Cambridge (2011)
Rizzolatti, G., Fogassi, L., Gallese, V.: Mirrors of the mind. Scientific American 295, 54–61 (2006)
Rowe, R.: Interactive Music Systems. The MIT Press, Cambridge (1993)
Russell, J.A.: A circumplex model of affect. Journal of Personality and Social Psychology 39, 1161–1178 (1980)
Stern, D.: The present moment in psychotherapy and in everyday life. Norton, New York (2004)
Sawyer, K.R.: Improvised conversations: music, collaboration, and development. Psychology of Music 27, 192–216 (1999)
Tellegen, A., Watson, D., Clark, L.A.: On the dimensional and hierarchical structure of affect. Psychological Science 10(4), 297–303 (1999)
Trehub, C.: Musical predisposition in infancy: an update. In: Perez, I., Zatorre, R. (eds.) The cognitive neuroscience of music, pp. 3–20. Oxford University Press, New York (2009)
Trevarthen, C.: Musicality and the intrinsic motive pulse: evidence from human psychobiology and infant communication. Musicae Scientiae, Special Issue, 155–215 (2000)
Turkle, S.: The second self: computers and the human spirit. Simon and Schuster, New York (1984)
Webster, P.R.: Computer-based technology and music teaching and learning. In: Colwell, R., Richardson, C. (eds.) The new handbook of research on music teaching and learning, pp. 416–439. Oxford University Press, Oxford (2002)
Webster, P.R.: Computer-based technology and music. In: Bresler, L. (ed.) International handbook of research in arts education, vol. 2, pp. 1311–1328. Springer, The Netherlands (2007)
Wallbott, H.G.: Bodily expression of emotion. European Journal of Social Psychology 28, 879–896 (1998)
Young, S.: The interpersonal dimension: a potential source of musical creativity for children. Musicae Scientiae, Special Issue 2003-2004, 175–191 (2004)
Young, S.: Interactive music technology in early childhood music education. In: Proceedings of the 9th ICMPC and the 6th ESCOM Conference. Bologna University Press, Bologna (2006)
Young, S.: Music 3-5. Routledge, London (2008)
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2011 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
Addessi, A.R., Volpe, G. (2011). The MIROR Project. In: Kloos, C.D., Gillet, D., Crespo GarcÃa, R.M., Wild, F., Wolpers, M. (eds) Towards Ubiquitous Learning. EC-TEL 2011. Lecture Notes in Computer Science, vol 6964. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-23985-4_3
Download citation
DOI: https://doi.org/10.1007/978-3-642-23985-4_3
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-23984-7
Online ISBN: 978-3-642-23985-4
eBook Packages: Computer ScienceComputer Science (R0)